Hi all!
I'm having a problem with a Spyder calibrated LCD under Photoshop-CS. I have profiled for D5000, gamma 1.8 (although I've tried 2.2 with similar results).
I shoot RAW, process in Capture One, and bring it into Photoshop. I work in AdobeRGB (for example), convert to sRGB within Photoshop. The image looks fine throughout this workflow.

When using Save For Web, the web preview desaturates and goes much lighter (like a gamma adjustment). This had me puzzled until I found that selecting Soft Proof and choosing "Monitor" would show the same results as the save for web window. Having proofed it, I adjust the curves and wind up the sat a bit, then save for web and I get a decent web JPG.

Now I'm completely stumped! What am I previewing when I select "Soft Proof / Monitor"?? I thought the monitor was profiled by the Spyder.

I've also tried this on a desktop machine (with profiled LCD), and there is hardly any difference between the onscreen image and a Soft Proof for Monitor (except a slight saturation loss).

Any suggestions to put me out of my misery??!

Matt

When designing images that are only going to be viewed on a computer monitor or on video, turn color management off before designing your image. This will allow you to work in the same color space as it will appear on screen.

This is essentially what the Monitor soft proof is doing for you. It's showing you what the image will look like as it appears on screen with no color management.

So, turn color management off before you create your image when designing stuff for the web and the color shift problem will vanish.

--Racc

If you leave your image in AdobeRGB before using SFW, do you get the same result? From the way you describe it, it sounds more like an assignment rather than a conversion is going on.

Doug - definitely converted to sRGB (not assigned). I've done this for years, but only now (with the new machine) have I got this issue.

I think Racc is correct. The Soft Proof / Monitor is showing the unprofiled output (which is what you see when using SFW).

On my desktop machines it appears the LCD is very, very nearly sRGB. However, on the Toshiba M200 it seems very different. Maybe I'll try and find some details on the LCD panel of the Tosh. One other problem is that the LCD brightness and colour balance changes with your viewing angle - of course the Spyder is aligned bang-on 'cause it's flat on the screen. Maybe that's causing me problems too (might have to go back to WiziWYG and be happy with that).

I've been testing with various JPGs and displaying in Firefox & IE. Both ignore the embedded ICC profile, so yes, AdobeRGB images are flat and lifeless (as you'd expect). It's giving me a headache, and I'm trying to work out how this affects my workflow...

Matt

For what it's worth, this is my workflow...

I'm using the color profile that's designed for my monitor. Then I ran the Adobe Monitor Calibration to get the gamma, etc. set correctly. From that point, since most of my work is for video and the web, I turn color management off. Since then, I've never had a problem with color shifting or color management.

Before I figured this out, I was in the same boat you are now. No matter what I designed, it never looked the same in Photoshop and its target medium. It drove me nuts.

The benefit of this system is two fold. 1. The obvious... no more color shifts going to the web, etc. 2. If, after you created your image with no color management, and you now need to color manage it (i.e. sending it out for printing, etc.), just create a new image the same size, turn on and set color management for that document, then paste or drag in layers from the unmanaged image. You now have a color managed copy of the original which can be adjusted as necessary and sent out. Also, it's a lot harder to create a non-color managed image from one that's color managed and have it look the same. It's always easier to go from unmanaged to managed then adjust to match.

Anyway, just my 2 cents.

--Racc

Thanks Racc.
However, since I am working with photographic images - both from camera and to print services - I cannot afford to ditch colour management.

I've been experimenting a lot, but still haven't got a satisfactory conclusion. It may be down to the Spyder v1 not liking the LCD (or the Wacom pen layer that's over the screen), or something not right under Tablet PC edition.

I moved from PhotoCAL to OptiCAL, and have better results (including confirmation graphs etc), but still the shift when using SFW (even though it is definitely converted to sRGB).

Maybe I'll just have to learn to live with it :|
Matt

I recently bought a hardware calibrator and couldn't get it to work to my satisfaction. It took some digging, but I eventually discovered I was dual-profiling. I thought I was seeing a calibrated monitor, but was actually seeing a very uncalibrated monitor. My videocard management software was loading its own profile, discarding my calibrated profile. I could imagine a scenario with two profiles that could cause the results you're seeing.

You might also want to doublecheck that AdobeRGB is still active as your working space in color management prefs.

Doug,
This is getting a bit more specific...
If I save an image from the web, open it in Photoshop and assign the sRGB profile then the colours are just plain wrong, different from IE/Firefox/Irfanview.

That seems to indicate that it's Photoshop that's applying some other setting somewhere. I've wiped the colour settings profile, started again, checked that I'm running AdobeRGB (European Prepress Defaults), and still it's the same.

Did the same with the Photoshop-CS settings. Still the same.

I removed Adobe Gamma from the startup long ago. But it looks like there's something still hanging around... not quite sure how to find what's modifying things in Photoshop.

(Incidentally, I used OptiCAL to profile, and this has given graphs and also allows a comparison of before and after. Within Windows the dialog box grays are neutral once calibrated, blue-tinged when not. However, Photoshop still shows this same quirk... and only on this M200 tablet PC.)

Going slowly insane :scared:
Matt

Check your vidcard utility software. Both ATI and Nvidia load their own profiles unless you specifically tell them not to.

Thanks Doug,
I've been rootling around in the display properties since the beginning. I have disabled the "Color Settings" for the NVidia (where it asks if you want to automatically load the colour settings on each boot - RGB gammas etc).
I've also checked and there doesn't appear to be any other colour management settings that are enabled or loaded.
Under the Color Management tab of the display properties there is only the OptiCAL produced profile - listed, selected and set as default.

I've enabled the Nvidia Media Center and checked there's nothing else in there.

Is there anywhere else I should look?
(BTW, I've also upgraded to the latest driver as available on the Tosh website)
Matt

DOH!

I'm going to kick myself... but this is still incredibly stupid IMO.

I went to Display Properties, then Advanced, and Color Management.
Then removed the profile from that window. So there's no profiles at all there now.

Double checked with OptiCAL that we still have a working calibration (and even after a reboot).
Now in Photoshop the sRGB matches the web view. Exactly.

So, if you want Color Management, make sure the display properties Color Management isn't setup with a profile!!

Double checked with the desktop machine, and this was its setting all along.
Now if anyone can find a good explanation of why Windows color management isn't, I'd love to see it :D

Matt

CM is definitely an achilles heel for Windows. Just be glad you weren't trying to get two monitors to match. The specialist at Gretag even told me it was impossible under Windows, but I did it (after disabling all the auto-junk my vidcard installed).

It appears OptiCAL is using it's own method of loading profiles, rather than controlling Windows' method (as my i1 does).

Glad you finally got it sorted out.

Doug - thanks! Sounds like you had a nightmare too :D

The odd thing is that OptiCAL was placing the profile in the monitor properties for me. It looks like the video driver was applying the profile as well as Photoshop. It's totally bizarre, but at least I know what's going on now!!

Thanks for your input & help ;)

Matt

I two use a hardware profiler, and I get the message that the profile was loaded into the graphics card at boot up, however if I click on the Nvidia icon (bottom right hand side and click colour correction, the profile says standard mode. If I then import the profile created by my calibrator, the screen looks very washed out, this also happens if I load Adobe RGB profile. Does this mean that my vidie card is stoping my calibrated profile from been used. If so how do I stop the
graphics card from loading it's own profile.

I just stumbled upon this thread and have the same problem. However, if I take all profiles out of my Display Colour Management tab as suggested above, I guess I am effectively running uncolour managed , which works in the same way as the suggestion to prepare all work for the web while set to no colour management.

But is this really the solution to get predictable colours on the web with Photoshop Elements and PC and an LCD monitor?

And what happens when you need to print something? No colour management???

You might want to start a new thread for this, it sounds like you're having a different problem.

Thanks to all...it's certainly a confusing problem.

After searching on all forums I could think of I found an old thread discussion the same problem...

http://www.retouchpro.com/forums/input-output-workflow/10841-srgb-soft-proof-monitor.html?highlight=web+colours

On this thread Racc's solution was to work with Colour Management turned off when preparing any work for the web... I had stumbled across this possible approach too.

While MattMatic's eventual solution was to strip all the profiles from his Display Colour Management Settings...which sounds like doing the same thing and making your display non colour managed (like a web browser)...but not sure what it would do for one's printing.

So the question is are these really the best solutions...it sounds like it may be more of a problem with LCD screens, but any further suggestions would be very welcome.

Many thanks again for all help already offered,

Cheers,

Paul

To anyone who gets this far I recommend reading this thread...very educational....particularly Rishi's responses to my questions.

http://www.adobeforums.com/cgi-bin/webx/?128@508.5kE2gaLE4Le@.3bc35205



Cheers,


Paul

You have to get the color management to work for any consistent results.
Not running it to mimick the Internet viewing conditions is the WRONG way to see the results.
With a properly calibrated monitor (Gamm 2.2/6500k/Lum 120) you can keep your system optimized for any condition and soft proof in Photoshop for any environment. But it all starts with a properly calibrated monitor WITH color management working.
Not quite sure about getting the PC environment to work right but I hear Eye-One Match will get it in there right on a PC.