View Full Version : First real photo restoration attempt argle 11-29-2007, 02:39 PM Hi All!
The before and after photos are located on my website here (http://www.parkergann.com/pgiii/Retouching%20Samples/index.html).
I have been playing with Photoshop and Photoshop Elements for years, but I've just now started dabbling in restoration. The photo at the link above was scanned from a 1972 Kodachrome slide using a Nikon Super Coolscan 9000 at 2600 DPI and saved in TIFF format. (The high resolution is for archival purposes, not editing). DigitalICE was set to the lowest level and no other correction was enabled. I then used Photoshop Elements to adjust the individual RGB channels to remove the haze and get the color of the whole image looking more accurate. Then, I adjusted the image for the skin tone, which made the image a bit warmer. I removed some of the specks and noise using a very light Dust and Scratches filter and then spent an eternity with the healing brush and clone tools to get rid of the bigger stains, splotches, etc. Finally, I dodged the shadows on the shirt (just under the collar) to get rid of the dirt. I think I may also have applied an unsharp mask at some point, but I don't think it was very strong.
I realize that the background looks a little too manipulated, especially around his head to the left and right. Any suggestions on how to have made that look better would be appreciated. Thanks!
Parker Alison 11-29-2007, 04:09 PM Hi argle,
Crop, crop, crop, crop ....... did I mention cropping :wink: I've had a quick go at this because I'm on the way out, but I will go back and work on it some more when I get home.
Used levels adjustment layer to adjust the individual channels. Picked a colour from beside the boy - bluey - new layer, filled layer with blue, inverted, set to overlay (or soft light) at 25% ( I think, I'll look later), used the patch tool to clean up some of the debris, used high pass filter set to overlay @ 50% used mask to delete effect from the background. Needs the clone tool to finish off the rest of the mess. Alison 11-29-2007, 06:15 PM I'm back, and I finished off the image.
I left the dirt on the shirt because I have two boys and they haven't been clean since the day they were born :lmao: argle 11-29-2007, 07:39 PM Ok, first of all - wow. And you did it so fast! I'm embarrassed to say that I spent about 3 hours on that image, but then I was also experimenting with the tools as well. Cropping was a good call - I've been scanning these images for "posterity" so we wanted everything preserved - so it didn't even occur to me to crop it. I've only got elements, so no patch tool for me - that would have made it easier, but I feel like I get almost the same effect with the clone tool. You just have to pick the copy area carefully. I'm still trying to understand how the overlay worked, but the high pass filter makes sense, although the elements version isn't as powerful as the Photoshop version.
Thanks for the insight!
Parker grannysdc 11-29-2007, 07:53 PM You have done an excellent job of retouching so I did not even attempt to clean anything..
It seems to me there is still a tinge of blue/cyan...
I used an underwater action on your original(underwater correction By james connell) found at (click)Adobe Exchange (http://share.studio.adobe.com/), search Photoshop> underwater (it does wonders on 1970s slides/transparencies that have that bluish cast).. 1 click and it came out as shown..
Has CROP been mentioned?
(Hue/Saturation>cyan, Saturation -82 to correct the bluish color) + Crops (Using original dimensions) argle 11-29-2007, 08:25 PM Thanks for the retouching praise! I'm working on a calibrated monitor and I agree there's a slightly bluish tint - shows up most in the white stripes of the shirt. Alison's method got rid of it - the white is much "whiter" in her final version - but that underwater action seems to work as well. Just wish it worked in Elements. Sigh. Ok, Ok. I give up - I'll go buy CS3.
Thanks for the tip!
Parker argle 11-29-2007, 08:46 PM Alison - can you explain a bit more in detail how you got the results you did?
Thanks for your help on this!
Parker Alison 12-01-2007, 05:47 AM Alison - can you explain a bit more in detail how you got the results you did?
Thanks for your help on this!
Parker
Hi argle,
Sorry, just got back to my computer. When we first start out doing this kind of work, all of us mindlessly heal everything without giving any thought to what we want from the image. To save time, look at the image and see what is important, what it is that needs to be brought to life. In this case it is simple, the little boy/girl. With that in mind, we don't need any of that background. So you could crop this into a 6x4 portrait size (not just crop in any fashion as I did). Now you can focus on the image.
After my first post, which I saved as a psd file, I went back to the previous layer before the high pass layer.
From there I used the patch tool for all the larger stained areas. Next I used a plugin called neat image - you can get a free version at the website, just google neat image. The free version is limited to files 1024x1024, but it does the job, or you could get noiseware, which is also free.
I adjusted the settings to what I thought would be good, and then lowered the layer opacity to achieve what I thought would work with what I had in mind. This will heal a lot of the smaller blemishes as well. Don't forget to take a snapshot (if elements has that feature) before you merge the layers down.
Duplicate layer and then go back and heal any mess that is left. I used the high pass filter at this stage to sharpen the boy. I thought the background was still too sharp, so, after merging and duping, I used the gaussian blur filter, then used a mask to bring back the little boy again.
Hope this helps a little bit, I don't know anything about elements so I don't know what features are available to you. I'm pretty sure that you could achieve a similar result though.
Btw, I am lazy and always look for the easiest ways to do things :D
At some point I would have used a 'selective colour' adjustment layer to boost some of the colours, or subtract them.
Another point to remember, is that sharpening is not just about sharpening. You can get a nice effect by using less sharpening and then blurring the background - you can the same end result without the look of over sharpening ..... did that make sense ? :rainbow: Alison 12-01-2007, 05:52 AM Hi argle,
You asked about the 'overlay' when used with the High Pass filter. Set the blending mode before going to the filter - and don't panic with what happens to the layer :-) Using 'overlay' will help you see the amount you need to set the filter too, i.e. how sharp it is going to be. argle 12-04-2007, 08:44 AM Thanks for your replies Alison, it all helps!
You are spot on with the healing; I definitely need to crop before starting to eliminate the debris. I played around with Neat Image and I also tried Noise Ninja and Alien Skin's Image Doctor Dust and Scratches remover. All gave similar results. They seem to work well with backgrounds, especially slightly blurred ones, but none of them seemed to give satisfactory results whenever the damage crossed textures. Still, it's quicker than doing it by hand with the healing tool. I played with the patch tool, but I found that again, when crossing textures, it doesn't perform that well. It is quicker than heal, though.
I haven't used the high pass filter for sharpening before, but iI see that it is definitely a quick/easy way to do it, plus you have excellent control over just how much is applied.
I've been trying to reproduce your results and I can get pretty close - one thing I'm having trouble with though, is getting the colors to pop as you did. No matter what I try, I can't seem to whiten the whites and bring up the color without washing it out. I've adjusted levels/curves/hue and saturation, contrast, etc. Nothing seems to work. Any suggestions?
Parker Alison 12-05-2007, 05:37 PM Hi Parker,
I had to use my old memory .... curses upon you :D
Yes, I did miss out a step there ..... sorry. I used a curves adjustment layer, and used the middle point to take the whites up without blowing them out. If I recall, I used the top of the boys hair as a reference point because that seemed to blow out quicker than the other whites. Once you are satisifed with what you have, click on the mask and press ctrl i to invert it - set your paint to white and select the paint brush. When you paint over the little boy/girl that part of the image will lighten and the rest will stay the colour it was before. | |