View Full Version : But is it "Art"? (part II) Doug Nelson 06-09-2003, 03:11 AM A recent conversation with a friend got me thinking about this subject again. I knew there was an excellent thread on this subject here already so I looked it up. Though it's still one of my favorite threads, it was concentrating on the commercial aspects (it's over in the Work/Jobs forum if you're interested).
I find myself now thinking in more absolute terms. To me art is a form of communication. It differs, however, from the mundane everyday communications of facts, opinions, reminders, entertainments, etc., in that it is a communication between souls.
Anything can be art, but not everything is. In fact, most things aren't. Art is a dialog, so half of it is in the creation and half in the appreciation. If we find ourselves unmoved by alleged art, it is perhaps the failure of the artist, but we are equally at risk of failure.
I find this question more important today than ever, as we are awash in "craft". In my view, craft is empty art. Like bad poetry, it can be flawlessly contructed, yet mean nothing, except to its creator.
I think this last part is the most important "except to its creator". We all love our creations, but that doesn't make them successful. Art is a form of communication, so what is being communicated? To often today I'm afraid it communicates "I needed the paycheck" or "I had some time to kill". Much of what I see in the world today is more akin to assembling a jigsaw puzzle than any real effort at thoughtful communication.
But, of course, we the viewer are equally to blame. With no basis for comparison we cannot develop a critical eye. And we are notoriously lazy viewers in the 21st century. The old cliche "if a tree falls in the forest and no one is around to hear, does it make a noise?" could just as easily read "if an artist creates yet no one is around that can appreciate it, is it art?"
So we have lazy viewers applauding jigsaw assemblers, while genuine artists toil in a vacuum, and critical viewers suffer from visual starvation.
So ask yourself the next time you create "what is my soul trying to say?"
And the next time you view a creation ask "can I hear their soul?" chris h 06-09-2003, 03:46 AM I think more angst and hot air is created by viewers and critics of 'art' than is/was ever expended by its creators. Doug Nelson 06-09-2003, 03:58 AM Possibly true. Art is, by definition, anti-intellectual. But that doesn't stop them from trying.
If a tree falls in the forest and is broadcast on nationwide TV, does it make a million sounds? :)
My own view of critics is that they serve as interpreters (and I know I've badly needed an artistic interpreter more than once). But, as the ratio of artist to critics is a very large one, and to successfully differentiate themselves from the competition the critis must be...different...at some point they are going to start contradicting and missing the point.
Which is why I'm very critical of the critics I allow into my head :) G. Couch 06-09-2003, 05:18 AM Wow Doug...you really must have gotten into some strong coffee for a Monday morning! We could spend all day debating some of these ideas...I'll write a few comments now and think about this topic while at work today. (if I mess something up, can I tell my boss that is was because "I was pondering the place art has in society? :D )
I like the idea that art "is a communication between souls"... That's one of the more elegant definitions of art that I have seen! Of course, not all souls are included...some just can't be communicated to through anything more complex than a sitcom.
One other comment you made jumped out at me - "We all love our creations, but that doesn't make them successful." ...not sure that "love" thing holds true for most artists. Most of the time an image is created and even if it's a wonderful success, it's quickly forgotten and it's on to the next image. Most artists look back at work they did from just a few years back and cringe...it might be wonderful to others but most good artists are in such a constant state of transformation in regards to their work, that they do not really have time to sit back and "love" their work. The ones that do, often fall into formula and every image they create ends up looking like the same thing for years on end...which generally gets pretty stagnant and boring! Doug Nelson 06-09-2003, 05:43 AM While in school we were given the assignment of making a collage of everyday items that represented ourselves. The final work was to be a color Xerox. I worked quite hard on mine, and was very proud of it. We all brought in our Xeroxes, and the instructor told us to take solvent and smear our collage into "art". I couldn't do it, I liked mine too much and had only made one copy. I told the instructor so, and was made an object lesson for the rest of the class in holding our work too "precious".
I still have the unsmeared Xerox collage, by the way :)
"Kill your darlings" - William Faulkner chris h 06-09-2003, 06:53 AM A byline in the arts section of my paper a few days ago was..
"Why is the output of our art schools drawn to contemporary Art?"
The answer being of course that no technical ability is required !! tyeise 06-09-2003, 08:06 AM Originally posted by Doug Nelson
Art is, by definition, anti-intellectual.
I must admit to being puzzled? Why should art be anti-intellectual? Sometimes taking time to study and understand certain art pieces can make us appreciate art. What definition of "art" are you using?
Tyeise LactoBeeZor 06-09-2003, 09:00 AM Whooo people. Are you guys "Experenced", and those that are understand. Its a Jimmy Hendrix thing I guess.
I agree and disagree with each of you. Great conversation. Wish we could do this in real time.
I have been satisifed with very little I have done in the way of art. But some of my restores I have been happy with. But most I just make do because the person likes my job. But I still find things I could have done better.
Doug - the 2 questions you asked in your first post - do you use these? Maybe that is why my "art" isn't as good as I would like....hum. But really the only time I do sence/feel my soul is while looking in the eyes of my wife. When human communication is not there. Maybe I need to get back in touch....HELP :o:
This is a great and eye opening conversation. Doug Nelson 06-09-2003, 09:07 AM Appreciation of art can have intellectual aspects. Creating art can have intellectual aspects. But art itself exists in a sphere separate from intellect. In fact, it is contradictory to intellect. Intellect can dissect the components of art, perhaps even identify context, but the communication itself is non-rational.
Intellect can describe the little hairs on the back of your neck standing up, perhaps even define the process involved, but all the intellect in the world can't convey the experience itself. In fact, it can prevent the experience from happening.
I was defending my love for a particular musical piece to a friend of mine recently. I said "Do you remember the first time you visited the Grand Canyon? That feeling that grabs you for the first time you see the actual size of the thing? That's how that music makes me feel."
He didn't get it. But I think he will someday :) Doug Nelson 06-09-2003, 09:17 AM LB: I listen for whispers of soul all the time. Occasionally I actually hear it. I find as I grow older and experience more I can hear it more easily. But I'm also more sensitive to the silence.
I also use the other question, but not in the way you might expect. My art isn't retouching or restoration or even photography. But sometimes, when I'm in a certain mood, and have the proper measures of inspiration and caffiene, my soul sings when I write.
Sometimes :) Doug Nelson 06-09-2003, 10:20 AM I shall further deepen the hole I'm digging by asserting that many, perhaps most, confuse art with aesthetics. Aesthetics is to art as rhetoric is to truth.
All pretty pictures communicate the exact same message: "I'm pretty". Just because it looks good over the sofa doesn't make it art. Ditto for sexy, funny, pastoral, etc.
And on the creation side, I suspect many folk confuse the buzz of craftmanship with artistic inspiration. I know I have.
But if you just enjoy looking at it or making it, does that make it bad? No, it just doesn't make it art.
When you have a stimulating conversation you're larger when you finished than when you started. Art also makes you larger, both in the creation and the appreciation. Pretty pictures (or words or music or whatever) may make you smile, but they rarely leave you larger. tyeise 06-09-2003, 08:01 PM Originally posted by Doug Nelson
I shall further deepen the hole I'm digging by asserting that many, perhaps most, confuse art with aesthetics.
To some extent, I think I understand this. Some art is pretty, some art is not necessarily so.
So you have defined what art is not... can you give me a definition of what art "is"?
Is art something that has a purpose? Is art only something that makes you feel something deeply? If so, is it art if it causes one person to react and not another?
Can you give me a little more help on how you ARE diffining art?
Tyeise Doug Nelson 06-09-2003, 08:21 PM Well, there's a bit of a paradox here in that you're asking me to use intellectual tools (words, logic, etc.) to describe a non-intellectual thing.
To mangle Lao Tsu, "the art that can be described is not the true art" :)
But I'm game if you are. In creating art you are not representing a flower or a tree. You are representing yourself, seen through the lens provided by said flower or tree. If the subject is the flower/tree/whatever, you have failed. The subject is yourself.
In viewing art you are trying to view back through that lens. If all you see is the flower/tree/whatever, then someone in the chain has failed. If your response is merely "oooo, pretty!" or "ick" then the communication has failed, and instead of seeing through a transparent lens we are merely seeing a reflection of ourselves. G. Couch 06-09-2003, 09:10 PM Originally posted by photomauler
To me, everything has a certain artform about it. Everything communicates something to someone, therefore everything does start with some level of artistic quality or form. It is up to us just how high that level is raised.
I agree with this...although I think the idea that art can be "lifted" to a higher level does not really mesh with "Everything communicates something to someone." How would you define a "higher level" if everyone has a different interpretation of what that is. A velvet Elvis might be kitsch to me but high art to someone else. ...of course, now we are delving into the whole Postmodern thing and I am not sure anyone wants to be bored to death!
Doug - I'm not really into grand meta-definitions of art...too constraining! I don't think art has to move one's "soul" to be considered art...besides, who's soul are we trying to inspire? I once created a whole series of paintings based upon concepts from physics and astronomy..."intellectual art" at it's finest! :D ...I would be willing to bet that 95% of the people that walked into the gallery were bored by the work...but I know of several people, including one astronomy professor who loved the images. I'm not sure if it moved any souls, but I think they were inspired by it at least. How would such work fit into such a narrow definition of art? No matter how hard I attempted to communicate, I was only able to reach a small audience...was this my failure as an artist or a failure of the viewers? ....My answer would be neither! Doug Nelson 06-09-2003, 10:06 PM The only contraint is assuming any soul-to-soul communication must result in inspiration or movement. The easiest way to inspire or move someone is to show them exactly what they want to see, with no "communication" involved. That's the sign of good craftsmanship.
Lawrence Olivier once had to deliver a speech he was unprepared for. Ever a trooper, he went on, spoke awhile, had the audience in tears and on their feet at the end. It was only in examining the transcript later that it was discovered he'd simply pasted together odd bits of dialog from previous projects and delivered it in his well-practiced manner. It actually made no sense at all.
In the words of Gertrude Stein, there was no "there" there. CJ Swartz 06-10-2003, 07:46 AM In creating art you are not representing a flower or a tree. You are representing yourself, seen through the lens provided by said flower or tree. If the subject is the flower/tree/whatever, you have failed. The subject is yourself.
So, when when we view MICHELANGELO's "David", we should see Michelangelo rather than David -- if it is to qualify as art? Or is it simply excellent craftmanship? Or aesthetically pleasing?
Web Gallery of Art (http://gallery.euroweb.hu/html/m/michelan/1sculptu/david/index.html)
I do not intend to reduce the discussion of a concept into specifics, but specifics can often help to clarify the overall concept.
I come from a liberal arts education, with only a sprinkling of general art appreciation teachings rather than an art background. I admit to leaning towards the belief that Art, like Beauty, is in the eye of the beholder, although that might include works that would bother me personally. I believe that the viewer can attach significance which may or may not have been intended by the creator, and that significance may truly "move their soul". A pretty picture may certainly communicate "I am pretty", but it may also communicate "love the Earth - protect her", or "the universe is magnificent in its beauty and diversity". Or is this simply an example, Doug, of what you meant when you said "The easiest way to inspire or move someone is to show them exactly what they want to see, with no "communication" involved." Doug Nelson 06-10-2003, 04:04 PM If someone creates something with a specific message in mind, that's not art it's propaganda. Or at least manipulation. There's no more art involved in something that says "save the earth" than there is if it says "buy Cheetos". G. Couch 06-10-2003, 07:19 PM Originally posted by Doug Nelson
There's no more art involved in something that says "save the earth" than there is if it says "buy Cheetos".
...unless "buy Cheetos" is presented in a suitably ironic and/or sardonic manner! (Campbell's Soup cans? ;) )
CJ - You stated, "I believe that the viewer can attach significance which may or may not have been intended by the creator, and that significance may truly "move their soul". " ...that's an excellent point. I think at a certain point most artists realize that their well thought out intentions are not always interpreted as they would wish by the audience. The viewer brings as much to an image as the artist does and interpretations are filtered through each person's unique cultural, political, philosophical, etc... views. roger_ele 06-10-2003, 08:50 PM My two cents,
Art = creation, whether you are solving a problem or creating an interpretation.
The state of mind when the right and left side of the brain dance, that is art. Total involvement - the zen moment. It is what I think draws some people to religion, the prayer that centers can be addictive. When the piece is felt or visualized to the point where words can't describe it, that is when the whole mind is involved. When Einstien first figured out something, that creative process was art. It may be interpreted by the person experiencing this as euphoria, an emotional charge, hairs raising on the back of the neck, etc.
Whether you are on the creating or receiving end, if this happens for you, it is art. If it doesn't it's not art, at least not for you ...
What triggers this resonse in the viewer is either the viewer being sensitive or surprised. What triggers this in the creator is the process of working through (whatever it is) until it happens.
This might be a little off the beaton' track, but in my opinion it is the experience that is the art part. Talking about whether a particuar object is art won't make it true ar false for anyone else - in the eye of the beholder and all...
Roger Doug Nelson 02-20-2004, 07:29 PM Yesterday I watched "The Stone Reader", a documentary about the search for a forgotton author. In his search, the filmmaker interviewed many leading critics and authorities on literature. He was puzzled about why, if this author's work was so great, why was it forgotten? Why didn't more people like it? One pithy answer to his question was "just because it's great doesn't mean you have to like it".
A little lightbulb went off over my head, and I remembered this thread. So many confuse entertainment with art, equating the success of one with the success of the other. When in fact, the old cliche "I don't know much about art, but I know what I like" is not the mild put-down of arty pretense it so often is intended as, but rather it's an ironic confession of self-ignorance.
Another interviewee in the movie said "when you're reading a great writer it's like the author is sitting right next to you, like he's a long-lost brother you just discovered and he's right there, whispering into your ear". I wonder if many feel the Disney corporation sitting next to them, whispering into their ear while they're experiencing what passes for 'art' today? Does Eminem or John Grisham whisper to you?
And, of course, the important question: what are YOU whispering when you create art? G. Couch 02-21-2004, 05:46 AM The opposite is also true...there are many artists and critics who turn their nose up at something upon the first indication that it might have popular appeal. Sort of the "art snob" effect! I have recently noticed a pretty good example of this when Norah Jones released her new CD a few days ago. No one even noticed her when her first CD was released until she started to get a little play on public radio...then a few critics began to praise her work as "best Jazz album of the year", etc... Before you know it, she wins a bunch of Grammys and has become a hugely popular artist. Now everyone knows who she is and with the release of her new album, I get the sense that some critics are angry that she is no longer their little secret...she has become too popular to be any good! I, for one, hear the whispering in my ear when watching a Disney movie, listening to Emimem or reading Grisham. Perhaps we've all come to define art too narrowly. If you've gone to art school you may remember these words:
"TO EVOKE IN ONESELF A FEELING ONE HAS ONCE EXPERIENCED, AND HAVING EVOKED IT IN ONESELF, THEN, BY MEANS OF MOVEMENTS, LINES, COLORS, SOUNDS, OR FORMS EXPRESSED IN WORDS, SO TO TRANSMIT THAT FEELING THAT OTHERS MAY EXPERIENCE THE SAME FEELING...THIS IS THE ACTIVITY OF ART. ART IS A HUMAN ACTIVITY CONSISTING OF THIS, THAT ONE MAN CONSCIOUSLY, BY MEANS OF CERTAIN EXTERNAL SIGNS, HANDS ON TO OTHERS FEELINGS HE HAS LIVED THROUGH, AND THAT OTHER PEOPLE ARE INFECTED BY THESE FEELINGS AND ALSO EXPERIENCE THEM."
Cheers
Duv I've been following this thread, and find it interesting. But does art really need to be defined? I think Roger hit the nail squarely on the head when he said "Whether you are on the creating or receiving end, if this happens for you, it is art. If it doesn't it's not art, at least not for you ".
Following is a portrait from National Geographic, that I thought had a beautiful, mysterious quality to it. It certainly did something to me when I first saw it. Did I see anything in the portrait about the photographer? Maybe he is a very mysterious person. I don't know. If he is, does that make it art, and if he isn't does that disqualify it from being art?
Ed Doug Nelson 02-21-2004, 02:10 PM No, it doesn't need to be defined, but it needs to be considered. Defining art was never my intent. I see so much created nowadays for the gratification of the creator only. There can be no communication then.
The concept of art, as have so many other things today, has been diluted and compromised.
For inter-soul communication to work, there must be two people that can hear their souls. That is the wonderful thing about art, it can make the soul shout loud enough so that even those that forgot they had one can hear it.
Art is great, and by that I don't just mean "really good". It changes people forever on a molecular level. And therefore it changes the world. | |