hi jon,
well, you're right about the man's eyes. they still need work. currently, they look a bit too cavernous (boy, there's a word i dont get to use much). i think you're going to have to do a bit of rebuilding on guesswork. the original shadows in the picture around his eyes are very deceiving and i think you're going to have to ignore some of that and just 'make them right'.
nice job on the girls.
i'd also have left the gold frame in. it's actually part of the overall piece at this point. like you said, it cant be removed without destroying it, so you might as well treat it as part of the picture at this point. the two are inseparable.
it's a difficult piece. the film is degrading and parts are missing. reconstruction is an entirely different game from retouching or even restoring. rebuilding takes some careful study and often meticulous pixel by pixel work. i'll give you two tips here. 1. zoom in to work, stop, zoom out to look. do this often! and 2. walk away from the image once in a while. put it down, go take a walk, feed the kids, do some manual labor or whatever and then come back. fresh eyes and a fresh view ARE a part of your discipline in this line of work. being able to see something newly in a new unit of time is a skill. and it needs to be practiced. there is a tendency when you're working in close to use memory to work with and that can be deadly. you want observation, not 'from memory'. you're constantly making small (or large changes), but your memory is telling you what things looked like and that can trip you up after making a few dozen or more changes. walk away! this is also why you zoom in to work, zoom out and look. i've had images where i do way too many changes before i look at it newly and end up hitting the 'undo last 100 changes' button. that can be maddening. so, forget memory and observe!
it's looking good so far
craig