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#1
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| Help with glamor skin tones Hi, This is my first post. First, I would like to say this is a fantastic web site. For months I have been following the posts on this website. I am having a problem following MBChamberlain’s technique. Could someone please explain further? I would really appreciate if some could write a tutorial. Thanks Jim Taken from the following post: “Fashion Image Retouched” http://www.retouchpro.com/forums/showthread.php?p=86143#post86143 Michael wrote: 1. Retouched the skin until I was completely happy with it (pic 1) 2. Duplicated layer, added heavy median, opacity at 40% 3. Created mask, painted out the median layer around eyes, eyebrow, and lips 4. With 50% grey painted in the area around the eyes and over the lips to soften them a little, but less than the rest of the skin 5. Hue and saturation layer at 50% to brighten the eye color, masked to iris area 6. Selective color to slightly adjust the skin tones 7. Unsharp mask, painted in with history brush 8. 50% grey layer 15% monochromatic, gaussian grain blended at 40% masked with 40% grey on cheeks and nose, at 30% grey on rest of face 9. Done (pic 2) |
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#2
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| Hi Jim. Welcome to RetouchPro! Is there specific areas of Mr Chamberlain's flow that you don't understand? Dave |
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#3
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| Hi Dave I love Michael results, but I can not seem to duplicate them. Steps 4, 5, 8 are the steps giving me the most difficulty. Thanks Jim |
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#4
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| Please help I posted this thread in April. If no one can help. Does anyone know of a book that explains using the median fiter for skin smoothing. This is a techinique that I would really like to master. |
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#5
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| Hi Jim, Sorry, didn't see your earlier posts. For all round info on retouch and restore technique, try reading Katrin Eismann's book Photoshop Restoration & Retouching. It has chapters on both portrait work, and glamour retouches. A whole lot of the members here have it and recommend it. |
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#6
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| Palette View Jim, Here's a view of the layers palette, should help clear some things up. Some details on 4,5 and 8.. 4) In step 2 you made a median "sheen" applied over the whole face, and then in step 3 you masked out the sheen which isn't wanted in the eyes etc.. by painting black in the mask. Now in step 4 you are going to paint the mask with 50% grey to lower the "sheen" but not eliminate it; 5) This is to make the eyes stand out a little more. The Hue/Saturation layer increases the colour and the lighting but is masked to apply only to the iris; 8) OK, this is a bit confusing - I also think it may be slightly wrong. Let's take it slow... a) Make a new 50% grey layer. A good way to do this is to click on the 'new layer' symbol in the layers palette with the <alt> key pressed. From the options select Mode "Overlay" and click on "Fill with Overlay Neutral Color (50% gray)". Put the opacity of this layer at 40%;If that doesn't anwer, feel free to ask more. (BTW.. I would never use the History brush as in step 7. Merge to a new layer (<ctrl><shift><alt><N> then <E>), apply USM and then adjust opacity and masking) Rô Last edited by byRo; 05-20-2005 at 04:32 PM. |
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#7
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| Quote:
Note that the Median filter has a great advantage over a Gaussian Blur (which is what most people would do here) in that it respects the edges(*). The Gaussian blur works only until it gets near a boundary, then you get into all sorts of trouble with 'bleeding' of the darks and lights. (*) you may have to use a little blur on some parts of the Median layer in large areas which can show some banding - but this won't be near a boundary so a light GBlur will work Rô |
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#8
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| Thank You Thank You so much Ro. You were a big help. Gary, Thank you for your post. I will pickup Katrin Eismann's book Photoshop Restoration & Retouching. Once again, Thanks Jim |
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