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| Photo Art Mini-Challenges Moderator posted images. Open to all members. |
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| PHOTO ART: Mini-challenge #62 – Flowers in New York See below for "Information and Guidelines." - - - - - - - - - - - PHOTO ART: Mini-challenge #62 – Flowers in New York Here’s another “mini-challenge” to play with in the Photo-based Art category until the next major challenge is posted here. The base image can be downloaded by clicking the link near the bottom of this lengthy introduction! = = = = = = = = = = = = = = = = = = = = = = = = = = = This weeks’ trio of base images are courtesy of Gladys S, whose work can be viewed HERE http://www.pbase.com/gladys. These flowers were shot in New York City. Based on how much folks seem to like converting flower images into photo-based art, there should be some inventive creations that will result from this one. Thanks again, Gladys, for another lovely picture. ~DannyR~ = = = = = = = = = = = = = = = = = = = = = = = = = = = LEGAL VERBIAGE Gladys S retains the U.S. and international copyright © not only for the original image, but also for any photo-art versions of it. Unauthorized distribution or use of this image without permission are prohibited. - - - - - - - - - - - INFORMATION AND GUIDELINES Unlike “official challenges” for this forum, which can be found here, this one will be self-contained within this thread. It is intended as an opportunity to engage in this art form until the next major challenge is posted. The rules are more-or-less the same: * It’s a challenge, not a contest -- intended to provide opportunities to experiment, share methods and/or techniques and, most importantly, have FUN. * Everyone who participates is a winner. * There’s no expiration date. GUIDELINES: 1. Use any method, application(s), style(s) you like: . * Convert to sketch, grayscale, abstract, watercolor, oil painting, pen-and-ink, Conte crayon, impasto, van Gogh or any style of your choosing . * Add elements from other images (collage) or replace the background . * Hand painting? Tracing? Freehand? You bet. Always appreciate entries of this nature. . * Apply filters from your favorite application(s) or tweak it with 3rd party plug-ins . * Feeling animated? Animated entries are definitely welcome. There have been some really funny ones submitted in the past. Fish jumping, leaves falling, wheels turning. You get the idea. . * Any or all of the above Bottom line: How you create this masterpiece makes no difference. Whatever floats your boat as long as you follow guideline #4 in the process. 2. When done, reply to this thread and attach your work (don’t forget the 100kb size limit). Note: Multiple entries OK if you’re so inspired. 3. By all means include some verbiage on how you achieved your masterpiece so others will benefit from your skills and experience. Make it as descriptive as you like. Grammar and spelling will not be graded. Priority given to content, not how it is written. 4. Have fun. A special message to those who are new to Photo-art … Who may be feeling a little uncomfortable about posting an entry. If you’ve read this far, it means you’re at least curious. That’s a good sign. But what if you’re feeling a little squeamish about posting your first image? From time to time I hear from those who want to participate, but have considerable anxieties about posting their creations in these mini-challenge. “I’m just a beginner. My pictures don’t belong,” “I see the works of others and I know I’ll never get that good,” “How am I supposed to compete with those wonderful creations?” are typical expressions of concern. To which I say: Put your fears to rest. This isn’t a competition. You will not be judged in the traditional “art critique” sense. Your honor isn’t on the line. This isn’t about who’s best. Don’t hold back from participating and posting your creation because your initial attempts don’t measure up (in your own mind) to images generated by folks with more experience than you. This is a no-fault, all-fun way to jump in the pool. Everyone started the same place: The beginning. Everyone who is more skilled and experienced than you got to that point by practicing, experimenting, asking questions, learning from others, and participating. Can one learn without interacting with others? Sure. Can one learn as fast? Absolutely not. When you participate, others get to know you. That makes it easier to ask them questions. Asking questions leads to learning from those with more experience than you. It just keeps getting better and better! By all means give it a go. You’ll be glad you did. The pep talk cheerfully brought to you by: Danny Raphael Photo-based Art Forum Moderator Last edited by DannyRaphael; 12-09-2002 at 05:03 PM. |
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| Blacknight...awesome! Love those sharp edges...and some of the flowers just glow! Chuck...gorgeous! Chuck, I like both, but I prefer the produce one, because of the extra detail I guess. Folks have different tastes, but luckily you have something for everyone. |
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#4
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| This resulted from foolin' around with BuzzPro. Jim |
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#5
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| Hi, Here is my attempt, I applied a stained glass filter, the a gaussian blur, cranked the saturation and then adjusted curves. Alan |
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#6
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| I'm messing with actions again. This one isn't ready for prime time yet. (I'll post it when it is.) Shooting for a textured-oils-like effect. Last edited by DannyRaphael; 12-11-2002 at 08:46 AM. |
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#7
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| Alan, your Buzzpro version is really great. Don't know why I gave up so soon on Buzzpro...guess because I wasn't able to do cool things with it like you do. Jim, I like it with the outline added. I like it both ways. The "smudginess" is a nice effect, however you got it. Danny, good choice of gloppy oil texture, but perhaps too much of it...maybe use a lower number with less shine? Phyllis |
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#8
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| A look that I like This is a new discovery that I really like. I also tried it on minis #58 (fish) and #63 (produce) if you want to see how it works on other pictures. Here are the steps. 1. Outline with 2-layer b/w blur-dodge method. 2. After merging the two layers from step 1, use multiply on a duplicate layer or use levels to darken the lines a bit and get more contrast if needed. 3. Adjustment-->equalize. 4. Filter-->stylize-->diffuse-->anisotropic. 5. Blend layer 4 over the original in vivid mode. 6. Filter-->artistic-->cutout set to medium values till you get the look you want. May have to adjust opacity of top layer or darken bottom layer if too many whitish areas appear. It looks very different on the fish pics...more outlining since the pics are simpler/larger to begin with. I like both looks. Phyllis Last edited by pstewart; 12-12-2002 at 12:53 PM. |
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#9
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| I've been trying to learn to use Deep Paint. Here's my try at the flowers. Jim |
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#10
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| This is an Oil Paint effect I have been working on. Hey guy nice art work. Chuch you really like this challange. Danny real nice effect . And of course Phyliss I will have to give it a try. Any way heres minnnne! |
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#11
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| Ok, a little time to get to this one, I don't really know what I did, just played with filters in PS. I'm still learning you know! :-) |
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#12
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| Jim, Phil, and Collin, all nice painting looks. Jim, how do you like Deep Paint now that you have had some time to play with it? Here is one done with Paint Engine, embossed with render>lighting on PS. Phyllis |
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#13
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| Phyllis: There is NO END to your talent? You are a treasure. For those not familiar with Paint Engine, CLICK HERE for all you'll ever need to know about this FREE PC only plugin, like a link to download it! ~Danny~ Last edited by DannyRaphael; 12-30-2002 at 05:16 AM. |
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#14
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| Thanks for the compliment, Danny. With all the cool filters and programs out there though it's not all that hard to come up with new looks. I'm having a blast with my new PSP and Paint Engine and Flaming Pear and Eye Candy and all those wonderful helpers. This one was done with the curly filter in "one of the above (?)" with PS render>lighting texture added along with FPear's aetherize to give it that old dull look, which I think works well with the curlicues. Phyllis |
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#15
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| Watercolor flowers step by step I just posted a tutorial using a new version of this flower pic. The steps are all included in the thread at: http://www.retouchpro.com/forums/sho...0867#post40867 Here is just the picture itself: http://www.retouchpro.com/forums/att...=&postid=40867 Phyllis |
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#16
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| This is a beautiful image, Gladys! Thanks for letting us play with it Pam |
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#17
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| Pam, great color sketch! Phyllis |
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#18
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| Pam: You have a wonderful touch. Sure glad you're getting into these mini's! ~Danny~ |
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#19
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| Revisiting another older one... All great entries! Such diverse approaches. I have no idea what I did to this one. My goal was to do an image without using any 3rd party plugins, so this is all done with adjustment levels, blend modes, and a few PS filters. I kinda like it. |
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#20
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| I kinda like it too, Amanda! Reminds me of silk embroidery. Phyllis |
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#21
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| Quote:
this one looks very pretty. nice effect. |
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#22
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| Can't resist florals....! PSP8.01 Dupe Bottom Layer. Filter/Photo Wizz/Lum Neg/Mode Soft Light 50% Merge both layers. Dupe BL again. Levels to lighten. PSP/UDF/Emboss Filter PSP/Artistic Effects/Brushstrokes/Water Colour Merged all and layer mask applied. Filter/AIM/USM - small amount Cheers |
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#23
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| Just playing around w/ Painter8. Cloned with different brushes on separate layers then composited in Elements2. Nothing to get excited over compared to the PStewart efforts from 12-30-2002. I like Neve's 'recent' version too. -Mark Layers (bottom to top): A: WaterColorRunCloner B: WaterColorWashCloner (normal, 50%) C: ChalkCloner (soft light 70%) D: FlatImpastoCloner (linear light 25% with a bit of layer masking) E: Copy D. Highpass 1. (linear light 100% with a bit more layer masking) |
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#24
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| painter and PS, something, something... |
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#25
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| I like some of the painted look renderings, but some seem a bit over done. I thought Blacknight's, and pstewart's first edition, kept the detail, but did give it an arty look. Although I have to say pstewart's second offering was very striking. Pam had a good thing going, but the light flowers on the right are a little too washed out, but the rest is very delicate and pretty. The thing that drew me to this photo was the juxtaposition of the dark photo with subtile touches of color. I seldom see such a variety of flowers shot in such a "dark" setting. In my version, I've attempted to keep the ambiance of that setting, and make it appear as if the white flowers on the right were the source of the light without using a gradient to cast the light gently over the other flowers. PhotoShop CS 1. Duplicate the background (Normal Blending Mode) and ran a High Pass so that just the tip edges of the flowers showed colors. 2. Did a Levels adjustment on the Highpass layer and really clipped the blacks and whites in toward gray. (Normal at 100 %). This layer should always be the top most (first) in your layer palette. (It is needed to maintain the colors in the highpass) 3 Made another copy of the background (Normal Blending) and placed it above the Highpass layer at 10% opacity (to bring back the color and detail) 4 Ran a gentle lighting effects on this new layer with white as high (36) on the background copy channel. Set the center of light in the center of the photo with the light source passing over the white flowers at a slight angle. 5. I then created two new layers from the lighting effects layer. First was luminosity (Option+command+~ on the Mac) and the second was the same luminosity selection reversed. The light selection set to Blend mode Luminosity with a 10% opacity and below that the inverse set to Normal with an opacity of 11%. I think I covered everything... :-) |
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#26
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| Very nice swampy, looks likes an 17th century painting with the darkened bg. |
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#27
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| Different Strokes Image 1 Eye Candy 3.01 - Swirl Motion Blur Paint Engine Embossed in PSP8.01 (UDF - Emboss 3) Image 2 - Image 1 with Jaykita's WC A applied (Impressionist Plugin) Last edited by Neve; 02-26-2005 at 10:34 PM. |
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#28
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| Quote:
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#29
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One of my rare moments when I let loose on an abstract look! |
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#30
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| Floral Gouache This works best with dark shadows and backgrounds. Dupe original layer. L2 - Photo Wizz/Photo Freebies/Luma Negative Layer Mode = Lighten Merge both layers. Impressionist Plugin/Fluffbutt/Stevies Gouache Mask and border added. |
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