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Originally Posted by Swampy Peter
Great painting. I've never been able to get anything pleasing out of the Art History Brush and it's something we seldom see info on.
I know there are settings for the AHB (tight, loose, dab etc.) and pixel coverage etc. I would love to know what your basic settings were and which "brush" you might have used along with those settings.
Here's all the further I can seem to get with the AHB. |
Swampy you should have seen my first goes at it, I wouldn't post them!!
This aint that bad.
The brush I used for this was one of Trimoon's, watercolour one (I know it doesn't look like a watercolour - artistic license), I think. He has several for download at his site.
Right a quick start (thanks to Palms).
Open your picture (Duh obvious isn't it)
Make any improvements you want, levels etc (I've been tending to start without lately).
If you make any changes create a new history point using merged layers, and point your history to this point.
Create two new blank layers call one background colour (middle one) and the other (top one) art.
Pick a colour from the picture with the eyedropper tool, and fill the background colour layer with it.
Change the blend mode of the art layer to Hard light (you can play with that later if you want).
Choose the Art history brush from the tool box (I know you know where this is)
Go to the tool pre set menu and choose a pre-set.
I think that the default ones are all set to 100% opacity, I've been lowering that to about 35-40% so as to build up brush strokes. (plus thats what I've noticed others have done with their stuff).
Start painting over the art layer, and see what comes out.
If you want more detail lower the brush size, good for facial details.
This can take some time to do its not always a quick style, especially with small brush sizes.
Depending on what you want cover the whole canvas or not, it's up to you.
When your satisfied with the look of it, what I've been doing is, duping the art layer, and passing it through Redfields Bas-Relief filter, (an outstanding plug-in, knocks spots off Photoshop's), though Emboss will give similar results. I usually overdo this, so fade the opacity of this layer a little.
Then I create a hue and sat AJ just above the background colour level and tweak the colours a little.
Some times if needed, which is most of the time of course,I run USM on a merged layer, just to bring out the brush strokes a little more.
A texture layer can be placed at the top of the layer stack, easy to overdo so I fade it slightly.
Hope this helps, and I hope it all makes sense, and I hope I haven't left out anything important.
My this has been a long reply from me, I'm not used to this maybe there should be an Art History forum here, as you said you have to search for info on it.
I think I need a drink now
Peter