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| Photo-Based Art Emulating natural-media painting techniques |
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#1
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| Creative Interpretations: Boats Aground Photo by C. Beauche. Kind of a different approach to photographing boats, I thought. Ship ahoy! ~Danny~ |
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#2
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| My interpretation: http://www.retouchpro.com/forums/att...chmentid=10797 Based on the technique Jeff described here: http://www.retouchpro.com/forums/sho...&threadid=7197 Last edited by DannyRaphael; 02-03-2004 at 07:39 PM. |
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#3
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| Danny--that's an interesting effect. I'm not so sure about the sky, but it looks great on the rest of the image. Working on a new mix. Make 2 dups of the background. On the bottom layer. Create this stack in buzz simplifier 1--100 brightness and contrast around 20 each simplifier 2--remove 50 on the same layer, impressionist detailed rough texture (custom setting) followed by fantastic machine's paint engine--curved brush. Fade curved brush to 65% On the upper layer, in buzz, load the sketch 1 stack. Reduce the remove to around 100 and set the brightness and contrast sliders to around 20. I usually also do image--adjustments--brightness and contrast around 20 each after buzz runs. Set the blending mode to overlay and reduce opacity slightly. Optional--run distort--glass around 1 and 4 |
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#4
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| Cheryl H: That is really great it looks wonderful so pleasant and relaxing. Great job. Bob |
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#5
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| Danny, glad you could use my tip. Cheryl, I like your use of Buzz in combination with Impr. ...... I was debating on whether to post this or not, and now I can't even remember what I did Oh well.... -Jeff |
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#6
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| Boats Aground I took the image and ran it through Picture Man's Hand Drawing, Then did another copy of the original and did a Buzz simplifier #2. Then I used PSP8's image-arithmetic, and averaged the two images for this result. I like it. AmyHutton |
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#7
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| Danny, for some reason, I get an error on yours. Invalid Attachment specified. If you followed a valid link, please notify the webmaster Nice work everyone. I cropped and used the blur tool to blur the foreground and background. Cranked up the brightness about +50 and contrast -10. Applied cutout (8,3,3) and Smart Blur (2,20,low,normal). Adjusted hue and saturation to taste and added a canvas texture. |
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#8
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| I'm still experimenting with custom Impressionist styles, based on the Pencil Sketch: Detailed Monochrome style. Several layers were generated using different settings, and blended using layer masks and layer blend modes. |
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#9
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| This is the same piccy I worked on in the thread for Imp. user sets, I posted a cropped images there (cos I stuffed the big one by saviing over it LOL!). http://www.retouchpro.com/forums/sho...?t=8328&page=2 |
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#10
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| Danny, I really like what you did. I was going for a similar look, but it kept coming out muddy, like a poorly exposed neg. Here's what i ended up doing. Dropped a new layer filled with white and dialed down to 20% Hit diffuse (anistropic) Hit accent edges Hit Diffuse (normal) |
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#11
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| My attempt. It's linked to another thread where I've posted the set file to do it with. http://www.retouchpro.com/forums/att...chmentid=13333 Sorry - I linked the picture, but not the set file. Main forum here http://www.retouchpro.com/forums/sho...0599#post70599 set file near bottom. Last edited by Fluffbutt; 07-01-2004 at 09:38 AM. |
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#12
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| Danny: Thank you for a nice sea side scene to work on. Bob |
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#13
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| Duplicated the background. Darkened with 3 x Multiply. Applied 3 levels of Stylize: Diffuse: Anisotropic Brush Strokes: Angled Strokes: 18/39/3 Render: Lighting Effects: Omni -25 Cheers Dave |
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#15
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| Another watercolor on this outstanding photo. Everything done in PaintEngine. Alan |
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#16
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| Convert to Black and White Of late I have been messing with converting color images to grayscale and thought this one had possibilities. I applied Levels and a Channel Mixer adjustment layer set to monochrome to get this effect. Thanks, Palms, for bringing this one back to the top. |
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#18
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| Here is my watercolor attempt on this nice pic. Dan |
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#19
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| So this is my first crack at these forum thingies, not sure of rules of engagement, if explainations are required, so I'll be brief if you'll be kind. I pumped up the colour using the channel mixer, blending in overlay or multiply modes, not sure which now, reduced opacity slightly. Then did a little diffuse glow with gaussian blurs and such like. I was planning to leave it there but it started to remind me of the paintings my mother did when I was a child, so I used Dave's Simplifier Action, and played around with the blend modes in the luminosity layer and the simplifier layer, to just give it the feeling of a painting. Critique and feed back most welcome... |
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#20
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| Re-painted my watercolor with different settings in paintengine. Alan |
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#21
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| Hope this wasn't the result of one of our recent storms. Steve |
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#22
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| Storm approaching...safe in port. Steve |
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#23
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| so glad i did find this one again , I like it when some of the older posts come back "to life" it shows how techniques and approaches change, sometimes in a short space of time Danny very interesting will have to keep a eye out for some more conversions Alcar nice watercolours, dont think i have ever used paint engine Dan your watercolour is cool as well, is there a texture there ? if so what one is it ? BethMarian welcome to retouch great post i see you use one of my favorite actions (dave's simplifier ) look forward to seeing some more from you ( and we are nearly all friendly, well till your second post just kidding)steve great as usual, i really like the second one picture that is not the weather Palms |
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#24
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| Yet another floating flat acrylic. I know, I know; I hope to get over my lazy mood soon. |
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#25
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| Quote:
Yes, is a small sandstone texture over this pic. Great creations all of you! Dan |
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#26
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| Llroll, your "Floating Acrylic" looks great. How did you do it? Alan |
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#27
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| Quote:
I use Mayuradraw to convert the vector to bitmap Then, in GIMP, I use a Warp Sharp Script-fu to fuse the acrylic pieces a little closer, and then I run bumpmap to give some dimensionality to them. Finally, I select the white area and to an invert selection and then run Xach Effect Drop Shadow Script-fu deleting the light layer. I adjust the shadow layer to taste and flatten. All of 2 minutes actual work (maybe a little longer, but this method's become quite rote to me). |
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#28
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| not really sure i can explain this technique. it begins by messing up the image quite a lot and then slowly bringing it back with various tools like airbrush, push, clone and some others. there's a high pass sharpen in there somewhere, some very low density smudging and some very high. lots of different size brushes. it's sort of a huge, gross smudge that's brought back to a finer one. craig |
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#29
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| Call it remorphication Craig. lol Result looks good; that's all that matters. |
| Thread Tools | |
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