That's very interesting, Mike. That way, you can plan and preshoot your macro scene, analyze the colors, determine the one least present, print a ChromaKey background in that color, and do the 'real' shoot. Resulting in a near friggin' perfect ChromaKey effect. Which you could then complete and enhance in PP.
Still wouldn't mind knowing the exact RGB/CMYK numbers of the standard blue and green that the experts use. They aren't using them for nothing.
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Originally Posted by Cameraken Hi RokcetScientist.
Interesting Idea. But probably not the best method for macro. The reason is that usually the whole subject is shown in a macro shot.
Lets say you were photographing a flower with a ring flash.
If the flower were placed on chroma background then the light from the ring flash would quickly fall off giving uneven lighting (and a difficult mask). It is very difficult to add more flashguns to balance the light. This is why most photographers would use a light tent or light box. Please read this thread. http://www.retouchpro.com/forums/showthread.php?t=11621 |
Thanks for your insight and that link, Cameraken.
I don't have/use a ring flash (yet?), but I do have some experience with multiple off-camera flashgun, reflector and 'light tent' setups for commercial portraits and insurance photography (art & antiques collections). That'll keep me going for a bit. For now, I can do it with a combination of low power flashguns and a light tent, or, more realistically, barndoors/snoots and reflection. To create a lighting that merges with the light that is in the 'background photo' that the macro shot will be PP'd into.
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There is another way.
One method that works really well is to use a scanner.
A scanner will scan anything. It does not have to be flat.
The attached photo was scanned on my scanner. Just place the item on the glass and cover with black fabric to avoid stray light.
If you want to scan snails and worms then use a layer of cling film.
Ken
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Isn't the DoF less than 10 mm (0,4")?