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| Photo Compositing Collage, montage, masking, selections, combining, etc. |
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#1
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| Compositing Here's an expamle: http://static.flickr.com/106/314023394_23aba85986.jpg Any advice would be really appreciated. |
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#2
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| Re: Compositing I haven't done much of this myself, so take the suggestion with a grain of salt... but - I would definitely light them from above, with a soft light on their faces for detail. I'll be interested to see what others suggest. |
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#3
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| Re: Compositing it might be easier to shoot them individually under the same lighting, and then composite them for the group shot... |
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#4
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| Re: Compositing That's what I'm going to do. I need help with how to pose them & how to composite them. Thanks! |
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#5
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| Re: Compositing It's not that hard if you're shooting them on a solid color background. You say you have the lighting down which is good - but just a reminder : Keep the light pretty much that way but more importantly keep your focallength, aperture and camera standpoint the same. Depending on your light setup you can do small variations if you have some models standing and others sitting - or you can make your light almost shadowless (which is quite boring imo). That way you won't have to worry about the shadow the models would cast on eachother - which can be tricky. One other word of advice is to do a sketch of the way you want the final picture to look. If they're not just going to be standing next to eachother this can be a big help. That said it's really only a question of starting with base layer with the background and maybe one model and then placing the others on top of this layer and masking them in. |
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#6
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| Re: Compositing I've done a bunch of stuff like this. Some tips: Same lighting for each model. Same camera position for each model/or at least reasonably close. The most difficult part is the hair. Decide if the end result will be on a white bkgnd or dark bkgnd. Note the example is on a white bkgnd. This is the simplest. Shoot on a bkgnd similar to what you intend to use for the resulting group shot. Shoot tons of shots of each model. Then it is up to you to stretch your creativiity to assemble them into a group. I use fluid mask very succesfully for hair. The main portion of the bodies can be lifted nicely with the pen tool or by several other means. If you shoot them with nice ground shadows, you can even preserve those natural shadows for a very nice look. Bill www.billsimonephotography.com (lost of composite work) |
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#7
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| Re: Compositing i've tried fluid mask and wasn't very impressed so far, i'm willing to give it another shot but the drawback to learning a masking application is it may not be updated past a certain version which is what happened to Knockout... |
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#8
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| Re: Compositing Thank you so much everyone! This is really helpful. I'll be working with a Photoshop artist who will hopefully know how to do this as well. I wouldn't have even thought about the same focal length, aperture, etc. Bill: I went to your link & your work is absolutely AMAZING! It quite literally moved me to tears! Everything is a work of art. I hope someday to have a 1/10 of the talent you have. |
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#9
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| Re: Compositing Make sure you place the cutest ones in the centre of the composition standing up. |
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#10
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| Re: Compositing Hi Kitty I would if possible shoot a shot with everyone in their positions (to use a reference and/or backup). Then you will have a better idea of the background behind each person - you want to make sure that your lighting looks realistic (and you will know where shadows would be falling, who would be blocking what light etc). The hair will be the hard part - try and make it as simple for yourself in post. Best of luck. |
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#11
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| Re: Compositing Everything that has been said is very good advice so far. As bill said, choose your background. A lot of the work that will have to be done (hair) will depend on the background, if it is a solid color then you can just drag the individual shots of each model to there position and use a detailed layer mask, with channel masks for the hair. If the model has frizzy hair, stand her up and place her, in the composite, where there will be nobody behind her, makes less crap your digital tech will have to deal with. You might try using the butterfly lighting technique (your main lights) with a 1&1/2 stop fill (1&1/2 stop less than your main lights, I'm not trying to be rude, just as detailed as I can, cause I know I am a bit confusing). With this lighting you wont have to worry bout hard shadows cast directly behind the front models and, unlike a straight overhead lighting, you won't have to deal with the shadows under the eyes and such. I would definitely shoot each model separately (less crap for your digital tech to deal with). I would also shoot a final composite shot first so that you can pose each of your models the way you want them to look, it will help a lot to compare between your composite shot posing and your individual shot posing. Like it has been said, try to keep your camera settings(aperture, shutter speed, ISO, camera height and location, focal length, these are your main concerns). ok so that was more than a mouthful, hope it helped Ben |
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