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Wouldn't it be great if Vikki had a tutorial on coloring? Or a giant list of do's and don'ts for coloring that we could refer too (and often at that!) If she already has one-please point me in that direction! She is an inspiration!
Caitlyn, I think your coloring looks great. I can see a couple of gray spots but the colors are really good. The thing about the gray- even if you are leaving areas white, in real life white has a tinge of blue or other shades. so if you make a solid color adjustment layer of a light blue- change the layer mode to color then lower the opacity to approx 6-9% where it's barely there then use a layer mask and paint it in. That's the secret of my coloring is lots of layers and lots of masks. I never make selections of an area, I just paint in the black mask (hide all mask) I found a shortcut on this one that I had not tried before. With it being a very yellow sepia tone, I duplicated the original and then used Hue and Saturation to give it a more pinkish skin tone color- then used the Hide all mask and painted in the color on the face and arm. This was my beginning skin tone. After that I used solid color adjustment layer and gradiant maps on the rest of the photo. For the vase and her hair, I used a golden tan color- like that of Simba- in Color mode at an opacity of about 58% and I painted it on a black mask using a soft white brush. Lots of colors! Remember there are different modes, sometimes overlay looks better than color and vice verse. And opacity- I love to use masks and a brush at a low opacity so that I get lighter and darker shades using just one color and vary the opacity of the brush/mask.
That's lovely Cathy - what have you done with the dress, it looks like you've added some yellow in there?
Thanks for the detail on your technique Amber - it's fascinating how there are so many ways to achieve colouring! I've attached a screenshot of how I did it this time - which may explain why I've ended out with some obvious grey bits.
I used layers set to colour and lowish opacity, and painted on the detail - which maybe is why I find it difficult to manage the crossover spots. I'm not sure where I picked up this technique now.
I did think of making the whole picture sepia - I think I remember reading that here before, but I decided I rather liked the dress and background being white?
I agree - a great big do/don't, handy tips list from Vikki would be marvelous!!
Beautiful picture and very well done on your colouring.
You have got the skin tone colours just about spot on. I do not think this is under saturated at all in fact if I were doing this I may de-saturate it a little. But that is personal choice.
Your picture looks great on the screen but if you intend to print it then it may look a little strange.
Vicky always says to colour everything even if it should be grey. I agree with this and I think your background would look better printed with a bit of colour/noise.
I have been colouring pictures for years. We used to take a Black and White Photo then Sepia tone it then my wife used to colour them with oil paint.
Now we use PS7 but I always feel like I’m still learning. I tried the three tutorials at the Worth site bit just can’t seem to get the hang of them so I always go back to layers set to colour like you did.
I have attached my layers but if you are looking to see how I did the flower it does not really show.
I created a brush for random flowers to add colour to grass and all sorts of other things.
The brush works on foreground and background colours. In this picture I set my colours to bright red and bright yellow. Brush size of 12 then I faded the layer opacity to 80%.
I am downloading this as a zip file from which you will need to extract the abr file.
If you don’t understand what to do with this the let me know and I’ll post instructions.
As I've said there truly are some incredible colourings on this thread. And Caitlin's rendition seems very soft and.....well 'tangible'. But to me looks a little too 'painted'. The colour variation is great but not real.It looks like an amazing colouring rather than a colour photo. Even more so with Ken's flowers...
I guess as the photo itself is not totally natural - it has been retouched and 'painted' a bit to give it that look, I wasn't expecting a totally photo-realistic colourisation. More just an attractive hand coloured appearance. I supose my expectation is that as this photo pre-dates colour photos, the look I expect is more a hand painted one, as was commonly done at the time. But that doesn't mean a more photo-realistic interpretation isn't good too.
Ken - I've finally tried out your fairy dust brush - how delightful! I haven't enountered a multicoloured brush before. The combination of colours seems more complex that just foregound/background though, but from my testing so far I haven't figured out quite what it is....