| Re: help with blown highlights OK, here goes.
First duplicate your image, so you should now have 2 identical layers, all work is to be done using the top layer, the bottom (background) layer is left untouched as a reference.
So top layer is now active. Create a levels adjustment layer (this will be above the duplicate layer) and adjust the middle slider to darken the image. Not too important to get it just right at the moment, as we'll come back and re-adjust things later.
By default adjustment layers come with an empty layer mask. Click on the mask to make it active. Now select the Gradient Tool (Alt+Click on Paint Bucket), set the foreground and background colours to black and white, then draw a gradient from top to bottom. This should even out the tone between top and bottom of the picture. If it makes things worse, draw the gradient from bottom to top. Experiment a little with where you start and stop your gradient till you get the best result. You're just trying to get a good "Join" between top and bottom.
If you need to re-adjust the top half of the picture, to darken or lighten it (and you probably will), click on the adjustment layer (not on the mask) and adjust the sliders till you get things as you want them.
I don't have the settings I used, as I deleted the file once I'd posted it (I've only got a small hard drive on my computer and I fill it up too quickly if I don't clear things).
Once you've got things as you'd like them, deselect the Background layer, then Merge Visible layers.
You should now have 2 layers again, the background (original) and a copy which has had the tone equalised.
At this point, set history brush sample point to the last action in the History palette. (open History palette and click on the square to the left of the last action).
Click on the copy layer to make it active, then choose Filter > Extract.
Extract the figures from the picture. I find the Extract tool doesn't always do the best of jobs, but you can paint back any missing bits using the history brush (which is why we set the sample point), and erase any bits you don't want with the eraser tool.
I usually insert a plain grey layer under the extracted layer, as it makes it easier to see any faults. (Be careful to ensure the "Extracted Figures" layer is active when you're working with the History Brush, it's all to easy to find you've "painted" things onto the grey layer and then you'll have to do it all again.
Once you've got the figures as you'd want them, delete the grey layer, it's done its job.
Now you'll need to copy and paste a sky (or whatever new background you want) on a layer beneath the extracted figures.
If it's a colour pic (which is what I used), just de-saturate it. Adjust the brightness and contrast using levels (You can use an adjustment layer if you wish) I worked directly on the sky layer. I then added some noise using the Noise filter to simulate the graininess of the original, I used Uniform, Monochromatic, set to about 3%.
Lastly, I merged all the visible layers, then created a new blank layer. Then working on that layer using a soft clone brush, set to approx 50%, I cloned over the blown out areas in the woman's hair, using samples taken from the darker hair areas. I always clone on a separate layer as it's easy to erase any mistakes. Don't forget you can adjust the layer opacity for fine adjustment as well.
Think that's about all the detail I have, I tend to adjust things by eye, so it's hard to give any more detail, hope this helps you.
Last edited by Gary Richardson : 06-04-2007 at 01:22 PM.
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