| Joe,
First question, is it color or not? Color is much harder since there are 4 screen angles involved (one screen each for CMYK).
The first problem is to scan without creating moire patters from the interaction of the frequency of the scanner pixelation and the line screen frequency of the picture. I believe the formulae that T Paul gave will allow you to scan at a high enough resolution to get the halftone dots as discrete dots, rather than a moire pattern.
Check and see if your scanning software has a descreening option. Some do, and a few of those work well.
Ther following comes from Professional Phtoshop 5 by Dan Margulis. This is for black and white images...
1. Scan the picture at a 15degree angle on the scanner, at the highest resolution possible. Then downsample to the resolution you will work at and correct the rotation. This captures the halftone dots accurately with a minimum of moire, and the downsampling begins to blur the dots, which is what we want...
2. Adjust the contrast to taste.
3. Make 2 duplicates of the image A and B
4. To A, apply a gaussian blur at a fairly small radius to just fill the space white space between dots. (Dan says radius 1 but that will depend). Don't go so far the dots themselves are damaged.
5. Go back to the original image, Apply Image (A) in Darken mode.
6. To B, apply a curve to darken the highlights to about 20%.
7. Still on B apply Dust and Scratches filter at a small radius (Dan uses 1 again) so that the dots diminish slightly, but hold their shape. The lightest dots may go away, that is expected.
8. Go Back to the original, and Apply Image (B) in Lighten mode.
If needed adjust contrast again.
Not quick and simple but it helps. It doesn't make the dots go away, but it can make an ugly picture acceptable.
If your image is a color half tone a good scan angle is often 45 degrees. The process for color adds a few more steps too. First after scanning convert to LAB and blur the A and B channels. Copy the LAB version and convert the copy to CMYK and discard all but the K information. To the LAB picture use the proceedure for descreening black and white above, correct for color and convert to CMYK. Replace the K channel with the K channel saved earlier. Make final adjustments. End paraphrasing from Dan Margulis
I really compressed the color instruction, but it should give you the idea. If you need more detail, get the book. It will teach you more than you ever wanted to know about color control.
--tks |