hey all --
first post --
NEway, thought i'd give it a try -- i'm pretty sure Patrick captures a good bit from the shot as is -- if interested, he talks about in a Digital Pro issue, and another issue (forget which now) -- he uses a lot of continuous lighting, film-style (meaning movie-style), mostly kino flos, which are expensive fluorescent lights... you can see the catchlight in some of the shots... naturally there is some Post work, but not as much as one would think... he uses a guy named Joe P. @ digital fusion (check their website) --
the color correction reminds me a of the stuff we do for movies... i've sat in on a few Digital CC sessions for big films like The Ring Two and The Sentinel... "sat in" as in checking stuff out as a visitor, not that I did any work on that... i'm not a Photoshop master by any means, but I figured I'd give it a try...
process: desaturated a bit (to taste) -- added a smidge of contrast... then i went to color balance and added the blues, greens, and cyans, but here's the difference, ONLY to the SHADOWS... again, all to taste... in the exterior shot, I dodged and burned a smidge as well, but not a lot, cuz i don't feel too proficient with that tool yet...
there's a Final Cut Pro plugin called Magic Bullet that replicates different types of Movie Looks... and this is close to what it does... essentially creating a "Matrix" look... for more info on this stuff, check here:
http://www.redgiantsoftware.com/lookguide.html