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Originally Posted by davidpz888 Hi Michael, I am not too familiar with this technique. If you have the time, I would really appreciate it if you could elaborate a bit more on this technique. Which part of the bad skin are you sampling? I think I've heard something similar where you sample the highlight, midtone, and then shadows. Correct me if I'm wrong. |
Sure, David! I think I actually found this technique from a link around here somewhere, but here it the process in essence. I'll use a photo I took of a friend as an example:
-In the original file, you can see all the undesirable red tones, predominantly on his nose, but throughout the cheeks as well.
-To correct these, first sample some of the worst-offending skin. I probably took a 3x3 or 5x5 sample from the bridge of the nose.
-Go to Window > Color and make a note of the RGB values.
-Do the same with a patch of good skin tone. This could be a cheek, just above the redness on the nose, etc. The important thing here is to make sure you're picking something that's in the same tonal range, i.e., a midtone with a midtone, otherwise, you're going to get a significant tonal shift in addition to the color shift and your colors may not come out right either.
-Open up a curves adjustment layer and go into each channel separately
-CLICK ANYWHERE IN THE MIDDLE OF THE LINE. If you miss this step, you *will* screw up the process. I do it often enough to annoy myself and I have to go back and fix it right after doing it.
-Enter the R, G, or B values of the two skintones into the appropriate channel's Input and Output boxes. The value for the bad tone goes into Input and the desired tone goes into Output. Do this for every channel and hit okay.
-At this point, your whole photo should have a weird cast to it - this means you did everything right. Depending on the color of blemish you're trying to correct, you'll have a different color cast. Mine was cyan (which makes quite a bit of sense)
-Fill the Curves layer mask with black.
-Select a small white brush, Hardness- 0%, Opacity-100%, Flow- less than 5%. This is where a tablet comes in handy. As a general rule, I set my brush to be just a little bit smaller than the blemish I'm trying to paint away.
-This part takes time...paint over every blemish you want to remove. The slow flow will let you make gradual changes- this keeps you from having to undo and redo forever. The fastest way I've found to do this kind of work is to hit the "D" key to set my fore/background colors to black/white and switch between them using the "X" key to fix anything that I paint too heavily. Toggle the layer on and off periodically to check your status. (NOTE: You may want to do the large flushed areas of the cheeks first with a large brush, flow of about 1 or 2%. Otherwise, you'll be adding more white to the sections you already corrected)
-Toggle the layer on and off when finished to see if there are any problem areas. If the changes introduced an undesired luminosity change, you can fix that by going back into the curves dialog and pull the RGB curve downwards to taste.
I've attached the before and after photos here, along with a copy of my layer mask.
Best of luck!