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Photo Retouching "Improving" photos, post-production, correction, etc.

How to achieve this incredible post production!

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  #11  
Old 12-07-2011, 10:47 AM
Pics2 Pics2 is offline
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Re: How to achieve this incredible post production

Great work then. It looks like in camera. By the way, I don't see any logical explanation for using this effect on particular picture. It is supposed to mimic some kind of movement, and she stands still. I know, the photographer is moving, but why is he moving if he's taking a picture?
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  #12  
Old 12-15-2011, 03:15 PM
Pip Pip is offline
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Re: How to achieve this incredible post production

I think doing it in post is far more effective. Have a look at this, defo done in post:

http://fashiongonerogue.com/gertrud-...im-numero-129/

How? Sorry I can't answer that question. If you have been lucky with your research I would love to hear it. Take care!

Pip
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  #13  
Old 12-16-2011, 04:06 AM
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oneredpanther oneredpanther is offline
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Re: How to achieve this incredible post production

To say this is pure post would be grossly incorrect. At best it is totally in-camera, at 'worst' it is a composite of a still image and a long-shutter image. To my knowledge there is no way to create light trails in photoshop like a dragged shutter would, and nobody woul spend hours recreating something that could be done in-camera in half a second.
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  #14  
Old 03-18-2012, 01:47 PM
kulasdp kulasdp is offline
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Re: How to achieve this incredible post production

Quote:
Originally Posted by Pip View Post
I think doing it in post is far more effective. Have a look at this, defo done in post:

http://fashiongonerogue.com/gertrud-...im-numero-129/

How? Sorry I can't answer that question. If you have been lucky with your research I would love to hear it. Take care!

Pip
this is definitely done in camera. I have been a digital tech to numerous photo shoots including vogue, cosmopolitan and so on.
We have done that a lot of times. Simple when you know how to use it.
On my shoots mostly done with a medium format camera.
Shutterspeed between 1/15 th till a 1 second - f22 - camera set on rear curtain sync. You have to play around with the technique for example:
You move the camera: left, right, forward backward
Model moves
You zoom in or out
You control the amount by the time you let light thru.
We used broncolor strobes and arri 2500w fresnels, some gels etc.

Some special effect stuff you can photograph with it also and than paste as an artistic composite.

It's really not that difficult.

Hope I could shed some more light on this stuff.

Cheers,

Martin.
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