One of the things I asked OPR was what they were giving once the restorations were complete. Just an inkjet print

Sure it's on good paper and they're using archival inks, but the customer walks away with something that is (hopefully) a replacement for their damaged photo. Anytime someone pays me to do work I'll give them a CD with whatever they want and more on it. If they want prints I'll have them printed on a Fuji Frontier up to 10x14. I'm also likely to keep a copy of the files archived indefinitely because I'm a bit of a pack rat.
I have 2 friends locally that are capable of doing this kind of work and I told them about OPR too. They both responded with "I don't work for free" basically. That's fine by me.
It's a dog eat dog world. The internet is changing things. It's a race to the bottom. There are people around the world who can and will work cheaper. What's
that going to do to the income of local digital artists? Imagine having a restoration business where all you do is digitize hi-res images and then email them off to to someone in a foreign country to be retouched at a rate 1/2 or less of what you would charge to do the work yourself. I think OPR has proved it's more than possible to do this but there's a tremendous amount of risk involved for the person who's going to be dealing with the customers face to face since they're outsourcing everything, no?
On an unrelated note... the nearest MediaPlay to me closed it's doors a few weeks ago. Oh wait... that IS relative to this I think
It's all about competition. If you can offer something the competition can't or won't then you might just be okay in the long run and maybe you'll still be around in 10 years.
JMO