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| Turning Portraits into Digital Sketches, Oils, Watercolors Thinking about expanding beyond your traditional portrait and/or restoration, retouching and colorizing black and white image services? Find out what others are doing and how they are doing it. |
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#1
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| Creative Portraits: Bonnie Brunette Another nice photo to play with courtesy of http://gal.mvc.ru/ |
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#2
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| I applied brushstrokes to the background. Duped bottom layer Smudged her skin (got rid of blemishes) Xero/Caravaggio Filter at 80% Merged both layers Smudged blemishes again Applied a faded border in black(Filters Unlimited) Cropped the image. Canvas texture. |
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#3
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| I wanted to see what could be done with just filters. And surprise, surprise I actually liked the result. I extracted the model from the background and gave her sophistication a step downward by placing her in front of an old barn. I tweaked the old wood by using hue/sat and then merged the result. I made a copy of the barn and applied a very heavy motion blur to it. I applied a filter I had never tried called reticulation and followed that by using emboss and high pass. This layer was overlayed with the layer below and merged. I then made a copy of that new merged layer and moved it above the model and applied the overlay mode with a greatly reduced opacity. The motion blur was applied on the model to a much less degree than the barn; then I used several filters to achieve a look I was pleased with. The next to last step was copy merged and angled strokes was used twice. After all was said and done, I decided to use the channel mixer and make the whole thing grayscale. Go figure; all that work and I liked the b/w version the best. Janet |
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#4
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| I like it too Janet, terrific result! |
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#5
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| Creative Interpretations: Bonnie Brunette I applied Corel Painter 9 (painted by mouse: Artist's oil brush and Blenders) and Potoshop CS. |
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#6
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#7
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I use Artist's Oils (Painter 9) on "Lady with a Rose" also. But I can use also other Painter's brushes. Oil brushes, Blender... |
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#8
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| Creative Interpretations: Bonnie Brunette Pencil sketch on old paper (photoshop CS only) |
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#9
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| Extracted the lass, desaturated and duplicated. Back on original layer extracted lips. On lass 1 layer, applied crosshatch filter, switched to overlay mode and blended with lass 2 layer. Moved lips layer to top of stack and switched to overlay. Put these three layers into a layer group, Moved group, lasso, inverse selection, feather to 25, delete. Created back ground with a solid fill layer. New pattern layer>noise pattern. |
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#10
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| Fantastic results Card...and Corona. Amazingly creative |
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#11
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| Great job everyone. This was a wonderful photo to work with. Corona, I've just finished visiting your website and looking at your posts here. Your work is top notch; and your style of painting really makes the subjects look like they have been painted. Keep up the good work. Janet |
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#12
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| Good work everyone! I started out in painter, my brush was "simple water" (modified). Picked colors from the image. Upped saturation of each color. Some freehand brushwork. Some cloning too. In ps7 blended with original. |
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#13
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#14
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| Words almost fail me..... ....but not quite Jaykita....FABULOUS |
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#15
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| Heehee, thanks Neve, you are SO kind! |
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#16
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| The main method here is local contrast control done more than one way and then blended. Then things like smart blur, paint engine, blending modes, hand touch up. But only for small areas of the image, masked in with layer masks at partial opacity. |
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#17
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| I used the original from the site Neve posted at the start. Before doing anything arty did a wholescale retouch and crop (1) - seems that the old saying "you can't make a silk purse out of a sow's ear" applies pretty well to this stuff. A good base makes the "arty" stuff better / easier. (2) AHB pencils (again As always, the texture got lost in the jpg crunch, see detail (3) Rô |
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#19
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| Here's my version of this one. Retouched image and enlarged to 8 x 10, then used the Art History brush in PSCS using a Trimoon preset that I modified slightly. Trimoon canvas texture on top. Edited to add 2nd version, started from same retouched image but used Painter this time (captured bristle, just add water, square chalk). Added my own texture in PSCS to finish. Last edited by PamSav; 05-04-2005 at 04:08 PM. |
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#20
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| Pam, I really like the first one. The second seems to be lacking something - maybe some brush strokes, unpainted canves, texture, not sure. Rô |
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#21
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| Pam - your first one is really very well done and detail retained I think that's the difference with the 2nd one - that there's been a loss of detail somehow. Maybe just too much blending with JAW which I have trouble controlling. I find skin extremely difficult to do in Painter and I admire you giving it a go. |
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#22
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| Thanks for the comments ! I actually like the hair and skin from the first one and the eyes and background from the second. Perhaps I should try to blend both versions together ?Edited to add: Well I had to try it to see if I liked it better, and I do ! Here is the second image with the first one blended with the "lighten" mode. I think it adds just enough detail back in . What do you think? Higher resolution version here: http://www.pbase.com/pamsav/image/42987139/original Last edited by PamSav; 05-05-2005 at 08:25 AM. |
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#23
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| Another painter 8 creation, but with some tweaking in ps7 as well. Last edited by jaykita; 05-08-2005 at 07:12 AM. |
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#24
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| Hi Neve, Here's my attempt. I simply cut the figure out of the background and used a radial zoom filter, plus a bit of basic touchup on the face. Hope you like it. Regards Con |
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#25
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| Well I got something I like, but even sizing it down to 50% was too big. So you can see the 50% version at http://www.bigbluebird.com/brunette2.jpg and the ridiculously large, but prettier full version at http://www.bigbluebird.com/brunette.jpg Don't attempt this one without DSL! Impressionist, sepia, tons of layer merging, blurring, and a mess of other stuff I can't remember. AmyHutton Last edited by ahutton; 05-15-2005 at 10:07 AM. |
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#26
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I know you didn't really ask for comments but...you could have cropped in a bit, that would have reduced the total size without harming anything (seeing as the attention getter is only the face) Rô Last edited by byRo; 05-17-2005 at 05:44 AM. |
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#27
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| There have been some great interpretations so far on this one. I've been wanting to take a swipe at it for sometime now... Just had a chance to do so. First thing I did was apply a Levels Adjustment layer in order to bring out midtones in her dress (for definition vs. the all-black blob) and highlights in her hair. I painted black on the mask where I did not want the effect to be applied. After merging the result onto a new layer, I applied some unsharp mask to bring out the hair, eyes and mouth detail. This became my base layer. I made multiple copies of the base layer to which these filters were applied: * Photoshop Dry Brush * KPT Pyramid Painter * Impressionist > Crayon > Choppy Strokes (dress only) * Impressionist > Conte > Unsmudged Monochrome (More controls > Color > Stroke color = background, Jitter: Hue = 25) * (Again with brush = 40 ) Impressionist > Conte > Unsmudged Monochrome (More controls > Color > Stroke color = background, Jitter: Hue = 25) ...then combined the best of each layer using layer masks. * Merged all into a single layer and applied Unsharp Mask for texture I usually don't like digital textures, but I liked the Splat > Canvas look on this one (stolen from Corona's method). View at max size possible. ~Danny~ |
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#29
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| Danny, you've done it again....i'm floored! |
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#30
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| J & J... The kind words, esp. from you two, are sincerely appreciated. -djr |
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