![]() |
| |||||||
| Turning Portraits into Digital Sketches, Oils, Watercolors Thinking about expanding beyond your traditional portrait and/or restoration, retouching and colorizing black and white image services? Find out what others are doing and how they are doing it. |
| | Thread Tools |
|
#1
| ||||
| ||||
| Creative Portraits: Pink Flower in her Hat |
|
#2
| ||||
| ||||
| Beautiful girl Danny! Well where do i start... I smart blurred it gently and then i used smudge hairbrush, and smudge soften brush and i then added texture. |
|
#3
| ||||
| ||||
| Uppted the colour and lighly embossed... |
|
#4
| ||||
| ||||
| Found the original and used as base. Cropped and retouched before getting arty. AHB Chalks (still tweaking the brushes). Rô |
|
#5
| ||||
| ||||
| I've been working on new/old effects. I didn't quite get the cracked paint right on her face; but I'm done for now. Gotta fix dinner. Janet Ok, I'm reposting this picture. I cleaned up the "black spots" on her face and neck. What is left is the effect of compression on the cracked paint effect. I hope this is better. Last edited by Janet Petty; 05-04-2005 at 08:59 PM. Reason: updated picture |
|
#6
| ||||
| ||||
| I'm doing some more experimenting with a new technique in Painter IX... Started in Photoshop: * Knocked out the blue background * Levels, Hue/Saturation (boosted sat a bit) * Flatten, Save, Close Painter IX * Opened and Cloned * Used Blender > Grainy Water at small size, low opacity just about everywhere to "simplify" (smudge) the image * Used Cloner > Soft Cloner to restore some detail * Use Tinting > Diffuser 2 for the first time to "diffuse" some edge areas. This is a really cool brush. * I was experimenting with adding/blending colors here and there, but by the time I finished it looked a bit overdone. For a first time using this method, I can see the potential. |
|
#7
| ||||
| ||||
| Danny, the lower half worked perfectly. IMHO the face, however, could do with less..less blush, less definition for the eyes and mouth. Then it would combine better with the rest. Just an opinion, OK? Rô |
|
#8
| ||||
| ||||
| Dannny, less rosy cheeks; but the rest is perfect. I kept blowing out the dress and hand. How did you get so much detail in them? Nice work.This one was an experiment from a tutorial by Tim Shelbourne. I didn't have the exact brushes he used (don't know where he found them either -- looked all over for them -- maybe I have TOO many brushes Your were right Danny. This one is a good, fun one. Janet |
|
#9
| ||||
| ||||
| Quote:
With this type of maniulation I almost always struggle with how much (or little) to tweak the eye/mouth detail. Since I often hose that aspect (smudge beyond repair), I tend to "go light" which leads to an unharmonious look. The addition of blush is new ground, too, and I'm coming to the conclusion "less is more" in that regard. Your candor is appreciated, Ro. Quote:
|
|
#10
| |||
| |||
| Quote:
Just a suggestion though...hope you don't mind...maybe you have some other plan in mind, but the black smudges on the face are a bit distracting. Knock them off, and she'd be a knock-out!! |
|
#11
| ||||
| ||||
| Janet you reminded me of something my Mum use to say when i was 15 experiementing with make up, she said that foundation is going to start cracking if you put anymore on it, so thats means keep it simple and get rid of the black smudge marks and it will be perfect! |
|
#13
| ||||
| ||||
| Quote:
|
|
#14
| ||||
| ||||
| I haven't posted anything here for a while (I've been moonlighting elsewhere Click here for larger version: http://www.pbase.com/pamsav/image/42924917/original |
|
#15
| ||||
| ||||
| Just love the watercolor effect, so I keep trying... for a larger view.. http://www.pbase.com/goldcoin/image/42966183/original |
|
#16
| ||||
| ||||
| Pam, if you changed the colour of the yellow hand - then it would be perfect! Rô |
|
#18
| |||
| |||
| Beautiful pic, Danny, thank you. I did this purely in painter 8, with grainy brushes and grainy water blend. Though this was fun, it took me a while compared to some of the other stuff i do |
|
#19
| ||||
| ||||
| Quote:
(was that really you, or your twin sister?) Rô |
|
#20
| ||||
| ||||
| Wow...Jaykita...simply beautiful work. The exceptional details to her dress are masterful. A real pleasure to view... |
|
#21
| ||||
| ||||
| Quote:
I also enjoyed surfing your pBase gallery. You've got done some wonderful painting manipulations. |
|
#22
| ||||
| ||||
| Quote:
|
|
#24
| |||
| |||
| Ro, Goldcoin, Danny, Janet... thank you, thank you very much... |
|
#25
| ||||
| ||||
| Just tried a new Art History Brush (AHB) / Brush combination inspired by our good friend, Trimoon. AHB settings: Normal, Opacity ~ 40-60%, Tight/Short, 10 px, 0 ## Brush: Spatter 15. Width ranging from 4 px (for important detail) to 50-60 px for large, blotchy patches of color. ##: I don't recall if the Spatter brushes are among those loaded by default into the Brushes palette. If not, you will find them among the brush set files (.abr) that are installed with Photoshop. Read "To load a library of preset brushes" found in the "Selecting preset brushes" HELP topic. - - - - - - - - * Opened original * Used Magic Wand to select blue background * Deleted blue * Double-clicked Background layer and converted to a regular layer * Created a new layer and moved below the subject layer * Filled with a light tan color * Flattened image * Saved as a new file ("Hat AHB") * Closed * Opened "Hat AHB" * Created a new layer * Selected Art History Brush tool and applied settings shown above * Right-click to display Brush menu * Chose Spatter 15 brush and set width to 40 px * Started painting away with AHB. Adjusted opacity and brush diameter as needed, for example to 4-6 px for more detail around the eyes, mouth, nose. * When finished, created a new layer at the top of the layer stack * Alt + Merge visible * Unsharp Mask (to give some definition to strokes) * Lowered opacity of the USM layer a bit to tone down a little * Added stroke frame |
|
#26
| ||||
| ||||
| Very nice work by all. Virtual painter a few times. simplified. Hue & sat adj. Heavy gaus. blur on underlying layer. light simplification enhanced colors. Some hand work. |
|
#27
| ||||
| ||||
| Quote:
|
|
#28
| ||||
| ||||
| This thread gets more interesting and visually beautiful all the time. Great jobs everyone. I'm enjoying your art. Here is another one from me. This makes three. Watercolor with the AHB set at a low opacity. Janet Last edited by Janet Petty; 12-26-2005 at 04:47 PM. |
|
#29
| |||
| |||
| Incredible results from everyone - here's my version. Made picture larger at the top and painted in the rest of the flower that had been chopped off. Xero line art - drawing mode to lighten and brighten. Painter IX to Paint - Flat oil brush over a layer of 'muckup'. Christine |
|
#30
| ||||
| ||||
| Quote:
I especially like your results, Christine. This one is terrific. |
| Thread Tools | |
| |
| | ||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Creative Portraits: Man in Hat | DannyRaphael | Turning Portraits into Digital Sketches, Oils, Watercolors | 63 | 11-23-2009 10:58 PM |
| Creative Portraits: Woman with a Hat | ahutton | Turning Portraits into Digital Sketches, Oils, Watercolors | 54 | 03-31-2007 07:31 AM |
| Creative Portraits: Amy's Flower Child | ahutton | Turning Portraits into Digital Sketches, Oils, Watercolors | 9 | 12-23-2006 11:58 AM |
| Creative Portraits: Redhead in a Hat with a Pensive Look | DannyRaphael | Turning Portraits into Digital Sketches, Oils, Watercolors | 77 | 12-11-2006 05:02 PM |
| Hat with pink flower | LjJr | Photo-Art 101 | 0 | 05-06-2005 02:31 PM |