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| Turning Portraits into Digital Sketches, Oils, Watercolors Thinking about expanding beyond your traditional portrait and/or restoration, retouching and colorizing black and white image services? Find out what others are doing and how they are doing it. |
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#1
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| Creative Portraits: A face with character This older gentleman kindly gave me permission to use his picture on this forum. I think the face shows a lot of character even though there is considerable glare from his glasses. He is a woodworker and makes wonderful wooden spoons and spatulas for Dutch oven cooks. I have a few of his pieces; and they are treasured additions to my kitchen. Have fun artifying his picture. Janet |
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#2
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| Vector enhanced wc. Thanks for the play Janet. I did some smudging (very little) too, but mainly I used Sharp Control, Autotrace (converted to bitmap in GIMP of course) and some Hue/Sat adjustments. |
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#3
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#5
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| Ikroll.. up to your ASCI tricks, huh? |
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#6
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| Yes, I have to do one of these from .... ....time to time. |
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#9
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| A black and white version. Steve Last edited by Steve Conway; 08-15-2006 at 11:11 AM. |
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#10
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| Nice pic, Janet, and nice work by everybody so far. I did pre-and-post work in CS2 (Crop & Draganizer action before, texture, d&b after), artifying in Artweaver. Had to compress the livin' daylights outa the poor thing to get it under 100k. dc |
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#11
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| Lyle... I think yours kicks ASCI! Palms... I especially like this effect. How'd you DO that? |
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#12
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| Danny pull up a chair its a bit of a long story On the nikoncafe forum there is a post about using the pOpArTISt action (mike finns) but going back in the history to get a certain effect. while looking at this i stumbled on doing this effect which is run the action go to history and select the last one called pop and smudge/smear the hard lines open new layer and use the history brush which brings the art layer through by doing this on a new layer you can erase any lines that you dont want and that is it basically of course you can vary opacity's do other effects etc on this one i applied graphic pen (not sure which layer though now ) It is really easy again some photo's work better than others Palms link to the thread on nikoncafe with link to the action http://www.nikoncafe.com/vforums/showthread.php?t=83920 |
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#13
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| Using Studio Artist Quick sketch brush in studio artist. |
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#14
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| A quick one done in Gertrudis, copied to PS added emboss layer and blend mode screen. Peter |
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#15
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| Painter followed by color adjustment in Photoshop. Pavel |
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#16
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#17
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#18
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#19
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| Just emailed you the file Danny. Quote:
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#20
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| My painting with ArtWeaver. Regards, Dan |
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#21
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| watercolors in Painter |
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#22
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| Hi all, some nice stuff on here, I thought I'd try another smudge (I do enjoy these old gadgies) this one was the hardest I've done! I think it's because of the glasses and his hat. Anyway here it is........John Last edited by Britsdad; 09-02-2006 at 12:22 PM. |
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#23
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| Photoshop+Impressionist: PSCS Cutout, blendings. Alex Last edited by alexmeta; 09-02-2006 at 03:27 PM. |
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#24
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| Here is my attempt |
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#25
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| Quote:
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#27
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| To: pavel123, Kraellin Thank you guys. PS CS Strike Path. Alex |
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#28
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| Glad someone keeps going back in the files and bringing these images back. Some are really worth another shot. So here is my shot. Steve |
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#30
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| I usually use a combination on most everything I post. This is probably Buzz, Gertrudis, layering, blends, and saturation enhancement. I say probably since I usually just play with the image until I like what I end up with. I also have a sketch PSP script which helps to bring out the lines in a face etc. Don't always write down my steps, but I can seem to get pretty close on this one each time I try. Depends on the original image as you know. Steve Quote:
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