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| Turning Portraits into Digital Sketches, Oils, Watercolors Thinking about expanding beyond your traditional portrait and/or restoration, retouching and colorizing black and white image services? Find out what others are doing and how they are doing it. |
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#1
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| Llama OK Not what you expected but have fun anyway. Mine was done with basically lots of blurring with noise reduction, sharpening and more blurring with the blur brush, the cut out filter and more blurring, hue and sat to get the tones right, ehhh - "Oh yeah" - more blurring (but away from main edges) Sorry I can't think what else, its all blurred. Peter Enjoy |
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#2
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| Re: Llama Nice one Peter, and yes i thought the other llama, what i absolutely love about this photo is that he has trainers/sneakers on it just seems at odds with his position you have got that look of satin again on his robes Used the ahb and a emboss layer on this one Palms |
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#3
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| Re: Llama Quote:
Ah yes the trainers, I was wondering wether to change them. The satin effect is what I was trying to reproduce (not completely with this one I think)(still trying) Peter |
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#4
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| Re: Llama Palms Many appologees forgot to say like yours, nice texture, did you add a mask filled with difference clouds to fade the effect? Peter |
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#6
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| Re: Llama Cropped, oils in SA. |
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#7
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| Re: Llama Quote:
http://www.retouchpro.com/forums/tur...wedding-2.html Palms |
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#9
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| Re: Llama Palms, like your second one. smudging? |
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#11
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| Re: Llama Nice creation everyone! Dan |
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#12
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| Re: Llama My rendition. |
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#14
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| Re: Llama The white plymsoles triggered this one. |
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#16
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| Re: Llama Just enhanced it a bit with this 'n that. Steve |
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#17
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| Re: Llama Quote:
Used "Linda's smudge brushes" I donwloaded from innographics some time ago. in addition I used a charcoal tip brush form "dry media" to create jugged trasiotions in backgound. Originally planned just to smooth a little, ended up messing up... Quote:
Pavel |
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#18
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| Re: Llama I'm pretty sure this is a lama, not a llama. I did the background in impressionist set at 200 on Fluorescent Pallet knife. Then softened that alot and shut down the saturation a bit. Then I ran the whole thing through VP impasto.I was going for a mystical effect, but I don't think I quite made it. Amy |
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#19
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| Re: Llama Quote:
Quote:
I would like to call my picture "a shadow man" |
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#21
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| Re: Llama Quote:
Linda's smudge brush and sarsa's hair brush are what i use the most and are probably my "safe smudge brush's" but i do try others on my Lama is used the rough round bristle brush as preferred by another smudger ok this tip i found really useful but i only know it works in ps when you have opened your image, create a new layer on top, pick your smudge brush and tick the box that says use all layers (at the top) then smudge onto this layer occasionally click off the visibility of the background layer and see what you have missed ! ! ! ! ! ! Now it can slow down your pc depending on the brush and opacity but the plus sides outweigh this you can use as many layers as you want ( i usually stick to one though) and then you can smudge (or any thing else that takes your fancy)the background with no worries of going "over the edges" as you have your smudge on a different layer, There are quite a few other possibilities as well Second tip when you have small things to smudge like the beads in this one ( depending wether you use the above method or not ) use the history or the erasure brush at about 25% opacity to bring them back Well i hope this is of some use for you for now any questions just ask and you are getting there just practice a bit more ( big pictures are best ) Have fun Palms |
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#22
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| Re: Llama Palms Thanks for the great tips. I'll try and use them. Amy the misspelling was deliberate. Peter |
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#24
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| Re: Llama PSCS Smurt Blur, Impressionist, Impressionist |
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#25
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| Re: Llama here's my try! |
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#26
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| Re: Llama Brad Like the colour change and background. I suppose the trainers wore out during the walk to the new location? Peter |
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#27
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| Re: Llama Quote:
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#29
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| Re: Llama Quote:
One thing I'm struggling with is to how to get a smooth look I see so often in smudged images. If I set smudging brush to relatively low opacity (10-20%) I end up with a blurred picture. With high opacity setting (50%+) the image looks smother, but I mess up everything. I assume that the right setting are something in between, but it likely depends on a type of brush, surface and so on. Best regards. Pavel |
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| Thread | Thread Starter | Forum | Replies | Last Post |
| If it's not a Llama it's an Alpaca | Photomaster | Photo-Based Art | 1 | 01-18-2006 03:37 PM |