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| Turning Portraits into Digital Sketches, Oils, Watercolors Thinking about expanding beyond your traditional portrait and/or restoration, retouching and colorizing black and white image services? Find out what others are doing and how they are doing it. |
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#1
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| Creative Portraits: Justin |
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#2
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| I discovered what I thought was a neat paper (Lightpit) that I used on each of the Impressionist styles I used (see attachment .set file), along with Emboss=1. The layers were ordered by detail (most detail to least, top to bottom) and layer masks used to selectively apply each layer. 20-20 hindshight: I wish I would have modified the original image a bit more to give more detail to his lips, which lost definition, but... Live and learn. |
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#3
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| Technique: PS7.0.1 Dupe BG Masked foreground to isolate Filter>Artistic>Fresco [Brush size 2, detail 8, texture 2] Smudge to blend colors better New layer underneath Filter>render>clouds [colors light warm brown, darker green- from swatches] Filter>sketch>halftone pattern [size 1, contrast 25, Pattern type- line] Set opacity to 26% so background is visible There you go... Kent |
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#4
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| image-duplicate-create sketch layer- use art history tool for color - use history tool to put back some details from original. Add new transparent layer - fill with white - add layer mask-use appropriate brush and black color to put back image onto layer - paint mode soft light - merge all. Add another sketch layer - multiply for black lines. Add texture. Add filter paint daubs. |
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#5
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| love that work Jaykita! looks beautiful. |
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#6
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| Sorry I can't remember exactly what I did to this as I did it some time ago but never got round to posting it Christine |
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#7
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| Impressionist filter, various layers and blends. |
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#8
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| Quote:
~Danny~ |
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#9
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| Quote:
I'm trying to recall those steps. Didnt really expect anyone to ask for my technique! O.k. Lets see. To begin with...MOST IMPORTANTLY -- i started by creating a special "brush" for my impr. filter -- with the image itself. So, i duplicated the image, desaturated it, and after adjustments- levels - for more contrast, went to adjustments - threshold. Saved this image in tiff format. (Remember where u put it.) I ONLY USED this CUSTOM BRUSH for all layers. Got the idea from Tutorials section "Impressionist plug-in - Tips, tricks and miracles" by jch71566. Made about 4 duplicate copies of background image. On each of them, i used different settings, all like i said, with my custom brush which i invoked each time thro the impr filter. Also each time changed settings for color, orientation, size etc. sorry, dont remember too well I remember i upped saturation a lot in one layer to get the color in. Yes, and all layers were of different opacity around 35 - 55%, and i also used layer masks to erase and reveal layer below. Also only 2 blends were used - normal and lighten. I used a tip from Steve to create another layer by - select all - copy merged - paste. Gives you a merged layer on top of all those other layers. This does away with the actual merging of all layers into one. It helps if you want to duplicate any of the other layers for further use. Finally, to harmonize, i used a render - clouds layer (with pale purple and yellow colors) , lowered opacity and overlay blend. Merged again. Selected a neutral beige from the image backgr and used a custom PS7 square textured brush to paint over background colors. All you asked for were the "styles" and i droned on....Wonder if any of this helps. Regards. Last edited by jaykita; 09-29-2004 at 05:04 AM. |
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#10
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| Quote:
Hadn't thought of making a custom brush from the image. That's pretty ingenius. I've barely experimented with custom brushes. Found that if you include a special character like #, $, !, @ as the first letter of the brush name, it (a) causes my brushes to sort to the top of the list and (b) make it easy to distinguish custom brushes from the ones Microsoft provided. Don't worry about the extra detail. MORE is better. ~Danny~ |
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#11
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| What a wee charmer! Lovely submissions and thoroughly enjoyed the views and wonderful tips, thank you! I opted to try Paint Alchemy - a sketch setting of my own. PSP8.01 Grayscale image then increase Col. Depth to 24 Mill. Levels to lighten image considerably. Dupe this layer. 2nd Layer - Made a selection of the bg and inverted. Paint Alchemy Sketch Setting. Layer Blend Mode - Multiply Merged both layers. Inverted selection and filled bg with white. I copied and pasted the selection as a new layer and applied a slight shadow. (optional) Merged both layers. Added pencil tube in a new layer, deformed and positioned. Text in new layer Merged all. |
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#12
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I never got the hang of Paint Alchemy. You've given me hope and I just now dusted it off and have begun poking around. Of the Sketch Style presets, which one did you use? ~Danny~ Last edited by DannyRaphael; 10-03-2004 at 12:57 AM. |
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#13
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| Hi Danny...many thanks! It's taken me a while to get the hang of Paint Alchemy, albeit very little. This was definitely a happy accident today, I kid you not....! The setting was Little Dutch Boy and I altered the settings...mainly the colours and "angle" especially. I fiddled with the settings until I got a right hand slant. I lightened this image heaps prior to applying the filter.....as if preparing for a High Key appearance (i.e. white skin) but still with enough shading for the filter to grab a hold of. Hope that makes sense.... Cheers |
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#14
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| Re: Creative Portraits: Justin Thanks for the play Danny. My interpretation of Justin was done in PaintEngine. |
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#15
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| Re: Creative Portraits: Justin Cool find John. Wasn't around when this one was first in the offering. Did a DAP Aquerell and a few other things of this interpretation. |
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