Hi all sorry I have been out of touch, it has been a tough year.
Well on balance, I am satisfied with my progress. First year and I have had 30+ orders. This on top of keeping all my other plates spinning. The dad thing with 3 young boys and my wife's medical practice.
I am focusing on the strategy Vicki from Niagra Falls suggested of having 1 or 2 photo stores and framing stores have my literature and samples. I have gotten some nice referrals. Store owners have been giving me free referrals. I have approached the #1 camera store regionally, about setting up a production arrangement.
Right now my relationship with my clients feels something a kin to a piano tuner. They bring their photos to my house. I get to know them, I talk about their families and their photos. They tell me stories. There is something of a healing spiritual quality to recreating damaged artifacts that interests me. Building personal history.
I am using a photo lab in Utah (Replicolor Attention: Heather) for my prints. They are using a Chromira Printer. I send 400 dpi jpegs. So far, I am very satisfied with how the prints match my screen, and I am not very focused on any color matching technology. Service has been great, they quickly fix any problems. The key is really watching shipping costs. I welcome any suggestions on alternative print suppliers.
I am happy not owning a pigmented ink printer for now. I don't have enough work to keep it running every day. This arrangement with the Chromira isn't costing me a dime to run. I am not in a hurry for prints.
I live in a fairly poor rural area and so I have to be willing to give clients a lot for their money. I don't think I will ever get rich off of Photo restoration, but it is a great sideline which will allow me to grow creatively. A good example of this is that I am seeing a real need for framing services as a natural extension the restoration work. Framing will enable me to get my other fine art work out there in boutiques and galleries.
I have started volunteering in my son's 2nd grade class as a History Builder. I bring in a 120 inch measure tape which we use as a time line. It is so much fun to show them where they are as 8 year olds on the time line. I show them all kinds of photos and they are picture detectives and we list clues they see, and guess at the age of the photos and at things about the lives of the people in the photos and other ephemera which is part of the presentation. It is fun to show them on the time line, where their parents and grand parents and WWII are. And of course, now they also always want to pin point when the planes flew into the buildings. We are starting to talk about ancestors and family trees. They are such little sponges for knowledge.
As time permits I want to apply for an arts grant that has photo restoration in its content. Photo restoration has certainly given my artistic vision an interesting patina.
I wish you all well.
Gerry Monaghan
ps DJ, I was in Ft Lauderdale a few weeks ago. What a nice part of the country. g
Well on balance, I am satisfied with my progress. First year and I have had 30+ orders. This on top of keeping all my other plates spinning. The dad thing with 3 young boys and my wife's medical practice.
I am focusing on the strategy Vicki from Niagra Falls suggested of having 1 or 2 photo stores and framing stores have my literature and samples. I have gotten some nice referrals. Store owners have been giving me free referrals. I have approached the #1 camera store regionally, about setting up a production arrangement.
Right now my relationship with my clients feels something a kin to a piano tuner. They bring their photos to my house. I get to know them, I talk about their families and their photos. They tell me stories. There is something of a healing spiritual quality to recreating damaged artifacts that interests me. Building personal history.
I am using a photo lab in Utah (Replicolor Attention: Heather) for my prints. They are using a Chromira Printer. I send 400 dpi jpegs. So far, I am very satisfied with how the prints match my screen, and I am not very focused on any color matching technology. Service has been great, they quickly fix any problems. The key is really watching shipping costs. I welcome any suggestions on alternative print suppliers.
I am happy not owning a pigmented ink printer for now. I don't have enough work to keep it running every day. This arrangement with the Chromira isn't costing me a dime to run. I am not in a hurry for prints.
I live in a fairly poor rural area and so I have to be willing to give clients a lot for their money. I don't think I will ever get rich off of Photo restoration, but it is a great sideline which will allow me to grow creatively. A good example of this is that I am seeing a real need for framing services as a natural extension the restoration work. Framing will enable me to get my other fine art work out there in boutiques and galleries.
I have started volunteering in my son's 2nd grade class as a History Builder. I bring in a 120 inch measure tape which we use as a time line. It is so much fun to show them where they are as 8 year olds on the time line. I show them all kinds of photos and they are picture detectives and we list clues they see, and guess at the age of the photos and at things about the lives of the people in the photos and other ephemera which is part of the presentation. It is fun to show them on the time line, where their parents and grand parents and WWII are. And of course, now they also always want to pin point when the planes flew into the buildings. We are starting to talk about ancestors and family trees. They are such little sponges for knowledge.
As time permits I want to apply for an arts grant that has photo restoration in its content. Photo restoration has certainly given my artistic vision an interesting patina.
I wish you all well.
Gerry Monaghan
ps DJ, I was in Ft Lauderdale a few weeks ago. What a nice part of the country. g
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