I'm wondering how y'all first caught the restoring bug?
As for me, I've always been into photography. I started fiddling with an instamatic when I was 8, and had my first darkroom when I was 12.
At age 18, after dropping out of college (different story) I got a job at a camera shop. This was in 1978. One of my duties was to run the copy camera (a Polaroid MP-4, to this day a nice setup). We used a Polaroid film that made a negative after you soaked the backing in a special solution, then sent the negative for printing.
We got a lot of straight photo copying business, and later on after I had my own custom lab I started cultivating that type of market. One day I got a request from an old lady that wanted her head superimposed onto a group shot of her high school reunion (she couldn't be there for the shot).
I'd never tried anything like this before, and it prompted me to learn about airbrushing, friskets, etc. That's when I caught the bug. It was 10 years before Photoshop came onto the scene.
As for me, I've always been into photography. I started fiddling with an instamatic when I was 8, and had my first darkroom when I was 12.
At age 18, after dropping out of college (different story) I got a job at a camera shop. This was in 1978. One of my duties was to run the copy camera (a Polaroid MP-4, to this day a nice setup). We used a Polaroid film that made a negative after you soaked the backing in a special solution, then sent the negative for printing.
We got a lot of straight photo copying business, and later on after I had my own custom lab I started cultivating that type of market. One day I got a request from an old lady that wanted her head superimposed onto a group shot of her high school reunion (she couldn't be there for the shot).
I'd never tried anything like this before, and it prompted me to learn about airbrushing, friskets, etc. That's when I caught the bug. It was 10 years before Photoshop came onto the scene.
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