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I'm still on my compositing kick. This has several lucis art layers topped with several pattern fill layers in soft light for texture. I'm starting to really like lucis for blended photos.
This time I went for glamour, soft focus, a dreamy effect. Went through several different steps. VP watercolor, PMAG xero lineart, bunch of softening, and repainting the lips and making the eyes less red. Oh and buzz was in there somewhere.
Maybe my third or fourth favorite lady of all time. Did a MF Sketcher followed by Pop Artist. Ran adjust Pop Artist to suit then a contrast adjustment. Last, I reduce the grain under her eyes. Hard to mess this lady up.
Duplicated twice and ran xero illustrator on one and xero line art on the other - layer mode of both changed to soft light. gaussian blur on the Illustrator layer.
#1
Inspired by Duv's creation which really caught my eye, the first is a result of more fooling around with Impressionist to render the textured look. (Crayon: Short Choppy Strokes in the hair; Conte: Smudged Monochrome for most of the rest).
The Impressionist layers were topped of by a layer rendered by Photoshop's Find Edges filter (set to Multiply) and a layer created by desaturating a copy of the original BG used to selectively restore eye, nose, lips detail using a layer mask.
Also, I added a layer at the top of the layer stack, filled it with 50% gray, set the blend mode to Soft Light and added Noise for a little texture.
#2
I tried something kind of unusual (for me, anyway) on this one. Applied Emboss filter to a copy of the background. Then, with a levels adjustment layer, squeezed all of the gray out, leaving promenent features against a lot of white.
Clicked on the Background to select it, then went to the History Palette to create a new "current layer" snapshot and set it as the source for the History Brush.
I selected the Art History Brush from the Tools Palette and set the style to Tight Short, and brush size of 3 pixels. When you do this the Art History Brush generates tiny little, squiggly lines, and I used this to paint in hair eye and other areas.
Used Find Edges (against a copy of the BG) with blend mode set to Multiply to restore more edge detail.
Whew. Nice stuff Danny! Like the first one but you should bottle your second effort. Sucks you right into the eyes..and more. Definety going to experiment with your work flow.
What/Where is the "My Extreme Color Filter", or where can I get info about it and/or who makes it?
Thanks
Well, you see, it is ~MY~ extreme color filter. I am developing it with FilterMeister, but do not yet think that it is quite ready for prime time.
You could achieve a similar effect with FlamingPear's free Vitriol, though. My version achieves the same effect, but with a user-interface.
After I ran "Radiance" on the picture (random settings), there were some patches of yellow/orange on Andee's face. I set my filter to an extremely saturated version of that color, and it turned it white, thus leaving only the red tones.
Impressionist Filter
Style: Chalk/Sketch: On Fine Laid Paper
Blending Options
Set current layer
To: layer
Mode: screen
Flatten Image
Dust & Scratches
Radius: 4
Threshold: 1
Selective Color
Method: relative
Color Correction: color correction list
color correction
Colors: reds
Black: -45%
color correction
Colors: whites
Black: 11%
Texturizer
Effect: Texturizer
Texture Type: Art Paper No 22.psd
Scaling: 100
Relief: 12
Light Direction: Bottom Right
Without Invert Texture
Or
Texture Type: Sandstone
Scaling: 100
Relief: 2 to 4
Light Direction: Bottom Right
Without Invert Texture
Done
Comment