Hi,
I understand this might have been asked a lot before. In this picture the subject is standing by the window so it's supposed to be just natural light:
http://syndication.artpartner.com/Co.../1/AP12418.jpg
Could be that this ha been shot on film. Yet, how they got the golden sunny tint?
I am experimenting with gradient layer set on linear light (add) and reduce the fill; I clip a hue/sat and set it to colorize and play with sat/and hue. Lightness is brought down to show some of the effect. This way I get a bit of fog/glare effect which is nice but far from the finished image above. The overall density is affected. The other way I am experimenting is with color balance and luminosity masks (based on the red and blue channels + calculations) so I can set yellowith highlight but again I believe to be far from that. I understand some masking might be required in order to dial down some yellow so that it doesn't look like everything is yellow.
Am I in the right direction?
Thanks
I understand this might have been asked a lot before. In this picture the subject is standing by the window so it's supposed to be just natural light:
http://syndication.artpartner.com/Co.../1/AP12418.jpg
Could be that this ha been shot on film. Yet, how they got the golden sunny tint?
I am experimenting with gradient layer set on linear light (add) and reduce the fill; I clip a hue/sat and set it to colorize and play with sat/and hue. Lightness is brought down to show some of the effect. This way I get a bit of fog/glare effect which is nice but far from the finished image above. The overall density is affected. The other way I am experimenting is with color balance and luminosity masks (based on the red and blue channels + calculations) so I can set yellowith highlight but again I believe to be far from that. I understand some masking might be required in order to dial down some yellow so that it doesn't look like everything is yellow.
Am I in the right direction?
Thanks
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