Announcement
Collapse
No announcement yet.
Search Result
Collapse
8096 results in 2.0993 seconds.
Keywords
Members
Tags
-
Not really. You can try messaging him here if he has that enabled (click on his name in any forum post), but I don't think it would be appropriate for me to do it.
-
This is out of my area, sorry. Let's hope Chris Tarantino is around. He's your man for that kind of thing.
Leave a comment:
-
-
This has been a problem since the beginning of digital photography. It's becoming less so with higher-resolution imaging tech. But scanners are pretty much stuck at the same resolution they have been for a decade. Moiré is caused by the interference pattern between the image data and the size/number...
Leave a comment:
-
I had pretty good luck making a long narrow selection that was just barely outside the line (but still outside the line), then using content-aware fill set to new layer. It took a couple of tries to perfect the selection, but the final result was perfect in most areas, and well within some minor brushwork...
Leave a comment:
-
I like this guy's tutorials. Here's one I think is relevant
...
Leave a comment:
-
-
Glad you're here. I think you'll find several of us retirees on here, plus the young whippersnappers. I hope you'll get the help you need here.
Leave a comment:
-
Search here (and google) for FFT and FFT plugin. I suspect it's what you need.
Leave a comment:
-
-
The customer will always think you're crazy, at least mine did. Back when I did the RP Live shows I was always astounded when I was interviewing restorers that regularly got many hundreds of dollars for their work. People think it's just a button we push or something.
Sorry, pet peeve...
Leave a comment:
-
-
I'm sure any number of the hundreds of possible techniques were used, but I'd imagine they all began with a very high-resolution image and professional makeup and lighting. Without seeing the originals I can't be sure, but the things you're looking to replicate were probably largely in the original...
Leave a comment:
-
The hardest problem in restoration is that if data is gone in the original, it is gone. If that detail is absolutely necessary, all you can do is borrow parts of other photos or literally paint it in. But I've found it's not usually necessary. People generally understand that you're not making it look...
Leave a comment:
-
You could try making a duplicate layer, and on the first layer run whichever filter you think does the best job regardless of detail. On the top layer use a larger brush size than you'd use for spotting and paint out the dusty areas on the layer mask, letting the lower level show through.
...
Leave a comment:
Leave a comment: